Tag Archives: voodoo sheiks

54. THE BRONSONS “Out Too Early” EP (2015)

(Photo: courtesy of The Bronsons)

(Image: courtesy of The Bronsons)

I was contacted recently by a band I previously didn’t know called The Bronsons. I liked what I heard of their music, and I offered to review their EP, Out Too Early, which at the time they were in the midst of recording. So they sent me a download when it was ready; and here is the review.

A little background info first though. They are four-piece R’n’B outfit + two lovely ladies on backing vocals, who are based in West London  – and they’re good! They describe themselves as ‘loud, trashy, fast and relentless, London-style, garage-band R’n’B’. Yeah, that sums it up nicely! Think of WilkoDr.Feelgood; or Eddie & The Hot Rods, and you’re in the right general area. They were originally formed back in ’81, but split by ’85; then reformed in 2013. Since then they’ve been gigging hard, and have now got some songs recorded.

The Bronsons (like The Ramones) are all using psuedonyms (I like that – it adds to the fun and mystique of the band). They currently consist of: Carlos Bronson (Drums); Chas Bronson (Guitar); George Bronson (Bass); and James Bronson (Vocals / Harp). These four are supplemented by the beautiful Bronsonettes on backing vocals – Giselle and Zara.

Out Too Early is a six-track EP of die-hard R’n’B songs of the old-school type – yet new and exciting at the same time. There are three originals and three covers.  They start as they mean to go on, with the opening number ‘Shovelling’ (shit for cash!); and follow up with ‘Local Man’ – both penned by vocalist James Bronson. Good songs with tasty guitar and harp; and amusing lyrics on both.

Next up is an excellent cover of the old Little Walter song ‘High Temperature’. And this is followed by ‘Someday Baby’ by Sleepy John Estes. Both have been given a Bronsons power make-over; and the latter has had the lyric revamped ‘…to make it meaner’. The result is a couple of rejuvenated Blues classics to blow your socks off!

The final original work is ‘R’n’B Ville’, penned by guitarist Chas Bronson; which is another very good piece of work indeed. Finally they end with a suped-up cover of the old Savoy Brown tune ‘Taste And Try’. Although the band say that their version owes a lot to the influence of ’70s pub rockers The Count Bishops’ version of the song, they’re certainly no copy-cats, and have made it their own. The ladies take an equal vocal share on this one too, which makes it a bit different.

All in all this is a great EP – a breath-taking white knuckle ride of old-school R’n’B!  There’s plenty of fire from the boys, yet even though the girls soften the sound with their fine backing vocals, every track is still bristling with energy.  The bass and drums of the rhythm section don’t let down the guitar, harp and vocals, either.

I’ve not seen this band live, but I’ve got a fair idea that they’d be kicking arse  in any Blues / Rock pub that they play; and I think they’d go down a storm supporting someone like WilkoThere are a few other good hard-working R’n’B bands operating around London and the South-East; and they’re all pretty tasty (think of excellent bands like The Voodoo Sheikhs and The Fat Penguins for example), but to stand out from the crowd, you need to be a bit special; and I think The Bronsons have got something good going on here. They’re musically tight and very competent; they’ve got good songs; they’ve got energy, enthusiasm, and a fun attitude; from the videos I’ve seen they look an exciting band to see live; and they’ve got the ladies on vocals too who add a lot to the final mix. This all adds up to a winning formula. I don’t know how far this band are capable of going, but I think they’re up for it, and I wish them every success for the future. I’ll get to see them live some time soon too.   PTMQ

Here is a link to the band’s website, that has all the info that you may need…. http://www.bronsons.uk/

 

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31. A REVIEW OF THE YEAR 2014

A couple of my friends have recently asked if I planned to do a review of 2014. I’d like to; but time as always is against me! So I just thought I’d say a few words about the year with respect to my blog. Its been quite a remarkable 11 months since I kicked off with a review of the STRAWBS gig at TOUCHLINE LIVE MUSIC here in Essex. At first, I thought no one would be interested, but I was glad to see that’s not the case. Right from the off, I had quite a few followers. That first Strawbs review has remained one of the most popular too.

I’ve met a lot of helpful and interesting people during the course of the year – not just musicians; but promoters; writers; photographers; or just knowledgeable music lovers.  Some of those musos I have been a fan of since my teens  – MICKY MOODY and MARTIN TURNER to name but two especially. Its also very flattering when some of these musicians have personally invited me to gigs and sent CDs for me to review as well.

Anyway, here are just a few thoughts and facts on my blog’s year….

MOST POPULAR BLOG was #25, MTWA at Touchline Live Music. Second was The Move at the Boom Boom Club (#15). In third place was MTWA again (blog #5); and fourth. The Micky Moody Band at Coolham (#23). I’m glad to say that these entries are still attracting new readers through search engines too.

BEST ROCK ALBUM must go to VIRGIL AND THE ACCELERATORS for their superb second studio album Army Of Three. It was very flattering to be put on the Guest List by Virgil, and to meet and interview the band before their gig at the Touchline. (Blog #26). Looking forward to seeing what VATA will be up to in the new year.

BEST ROCK GIG for me was a difficult choice. I saw fabulous performances from THE MOVE; VATA;  and the THE STRAWBS. But I’d say MTWA at The Touchline just wins by a whisker (Blog #25). Nice of Martin Turner to agree to an interview beforehand too. This coming year, so far, I plan to see FOCUS and the PINK FAIRIES.

BEST BLUES-ROCK ALBUM. Difficult! Could be LARRY MILLER’s Soldier Of The Line;  BERNIE MARSDEN’s Shine; or  LAURENCE JONES’ Temptation; but I’d choose DEBORAH BONHAM’s Spirit I think. I was hoping for an interview with her too, but she unfortunately had to cancel her gig at the Touchline due to a chest infection.

BEST BLUES ALBUM: I enjoyed JAMES ANTHONY’s Some People Get It, which he sent from Canada for me to review. (Blog #24); and MILTON ‘n’ FARROW’s Skiffleodeon – also given to me by the band to review (Blog #22). RUBY TIGER’s Vistas was excellent as was MATT ANDERSEN’s Coal Mining Blues; but I took a shine to DANA GILLESPIE’s Cat’s Meow the most.

BEST BLUES GIG is another tough choice. Great shows by COCO MONTOYA (Blog #14); MICKY MOODY BAND (Blog #23); and RUBY AND THE REVELATORS (Blog #16); but the best for me, was the very special show put on for the BOOM BOOM CLUB’s 1,000th gig; which included superb performances from OTIS GRAND; ALAN DARBY; LAURENCE JONES and THE VOODOO SHEIKHS among others (Blog #30). In 2015 I’d like to see RED BUTLER and LARRY MILLER if I can.

BEST FOLK GIG  I attended during the year was OXJAM MUSIC FESTIVAL in Exeter. A great selection of West Country folk acts in one afternoon. I was invited by my good friends in DEVONBIRD who played a wonderful little set – as did every artist present. (Blog entry #28).

BEST FOLK ALBUM in my opinion was ANGE HARDY’s The Lament Of The Black Sheep. I’m hoping to review soon (see Blog #32).  Also in 2014, I heard ADRIAN NATION’s second album Fall Or Fly, which is excellent. As for 2015, I’m looking forward to the second DEVONBIRD album which should be released in the spring – they are recording as I write. For info on Devonbird, see Blog #4.

DOWNSIDES. I had a couple of negative comments made to me during the course of the year – one due to a misreading of my blog; and one due to a certain curmudgeonly singer-songwriter who wrote unpleasant and untrue things about me – even after I gave him a good review!  I never intend to cause offence – in fact, I’ve been criticised for liking everything! Well, I do seem to! (I suppose if I didn’t like something, I wouldn’t write about it). Anyway, the vast majority of those I’ve written about; and my readers too, have been very complimentary and supportive indeed; so I didn’t loose any kip over it!

REGRETS: ‘…..I have few, but then again, too few to mention’! These surround missed gigs. I was particularly peeved at missing LARRY MILLER; and TERRY REID because I couldn’t get time off work; and DEBORAH BONHAM’s gig at the Touchline was cancelled (as I said above) due to the fact that the poor lady had a chest infection.  I hope she’s well now and will play there soon.

FUTURE PROJECTS include a review of Ange Hardy’s Black Sheep album; an article on my friend, the song-writer TONY PARTIS; and continuing to go and see as many and as varied gigs as possible. I also plan to get into the studio myself to try to record some of my own songs (for what they’re worth!). And I shall continue to support and promote my friends’ projects too.

A SAD FAREWELL to those musicians who sadly passed away in 2014:  JOHNNY WINTER (See my blog #17); JACK BRUCE; JOE COCKER; PHIL EVERLY; ACKER BILK; PETE SEEGER; BOBBY WOMACK; TOMMY RAMONE; ALVIN STARDUST; and LYNSEY DE PAUL. These luminaries will be sadly missed; but leave us a fine legacy in their work which their fans will cherish for all time. R.I.P. (My apologies if I’ve forgotten anyone).

THANKS to all those who have supported; encouraged; offered constructive criticism; advice; photos; and other pics; and generally taken the time to read my blog. Those people are too numerous to mention but they know who they are; so thank you one and all! Here’s looking forward to more of the same in 2015.

HAPPY NEW YEAR! PTMQ

30. AN EVENING FOR WALTER TROUT. Featuring OTIS GRAND; ALAN DARBY; SONJA KRISTINA; LAURENCE JONES; and THE VOODOO SHEIKS. The 1,000th gig at the BOOM BOOM CLUB. Friday, 28th November, 2014

PETE FEENSTRA: Promoter and Master of Ceremonies at the Boom Boom Club (Photo by CGM)

PETE FEENSTRA: Promoter and Master of Ceremonies at the Boom Boom Club (Photo by CGM)

 

This gig was originally billed as AN EVENING FOR WALTER TROUT – with  The Walter Trout Band (without Walter, of course as he is still recovering from illness), but featuring his son, JON TROUT; LAURENCE JONES; ANDREW ELT; and MITCH LADDIE. And many people (including myself) were very much looking forward to it. However, just a few days before the show, we heard that the plug had been pulled on the whole WTB tour – and to be honest, I don’t fully understand why. This was disappointing enough, but left PETE FEENSTRA of the BOOM BOOM CLUB with a double sticky wicket, as not only did he need a gig for the Friday night, but it was also to be a celebration of 1,000 gigs at the venue – a very special milestone in the history of the club indeed! Drastic action was required, sharpish!

Thankfully, ‘The future of British Blues’ Laurence Jones agreed to play anyway (a big plus as he is very well liked at the club); and Pete managed to get together some other very good musicians for the line-up at short notice. As well as LJ; he roped in OTIS GRAND; ALAN DARBY; SONJA KRISTINA (of CURVED AIR); and THE VOODOO SHEIKS. Backing musicians too (of whom, more later) had to be shackled together ASAP.

Now, I like the Boom Boom Club, although its a fair trot from where I live. But if something special at the venue is going down, I’ll drive over and stay with cousin Charlie who is a big music fan and lives locally. This means I can sink a few pints as well! Charlie is also a keen photographer, and often comes along to take photos for me; and this he agreed to do tonight, of course. My son James came too as he’s a great fan of some of the very talented young Blues and Rock guitarists (like Jones)  that seem to have emerged lately (I’m glad to say); and sometimes accompanies me to gigs.

We tres hombres arrived early at the venue to have a chat with a few people I wanted to speak to – not to mention  to take advantage of the free drink that had been offered to the first 100 punters! So, gratis pint of Bombardier in hand, I spoke to the guv’nor Pete Feenstra about a couple of things; and I was also keen to have a word or two with fellow music writer NIGEL FOSTER (who had got an excellent review of this gig on line within a few hours).

VOODOO SHEIKS: A white-knuckle Blues ride! (Photo by CGM)

VOODOO SHEIKS: A white-knuckle Blues ride! (Photo by CGM)

Before long, Pete (in his role as master Of Ceremonies) was on stage welcoming we punters and explaining that all the proceeds from the gig were to go towards Walter Trout’s on-going medical treatment. Then he announced the first act:  the Sussex-based Voodoo Sheiks. I’d heard the name and was keen to see them live. They are a four-piece R’n’B outfit consisting of ‘SLOW-BLOW DAVE’ MAGSON (Vocals & Harp); ADRIAN THOMAS (Guitar & Backing Vocals); ANDY PULLIN (Bass); and JOHN COOMBES (Drums).

There is no messing about with this band: right from the off – with a song called ‘The Thrill Ain’t Gone’ – you know that you’re in for a white-knuckle ride of Blues at the R’n’R end of the spectrum. Before we had time to take a breath, they followed up with ‘Automatic’ featuring ‘Slow-Blow Dave’ on Harmonica. Then they gave us a good new song called ‘Have A Heart’ (from their forthcoming album) – great use of the Wah-Wah from Adrian on this one. Next they covered JOHN LEE HOOKER’s classic ‘Boom Boom’ – and what more appropriate song could be played at this club for this gig?  Excellent.

The band slowed things down a lot then, playing ‘Exit Wound’ – a slow, mellow 12-Bar. I loved it. Nice solo from Adrian.  This was followed by the lively ‘Spirit’ –  an original composition from their Borrowed And New album. ‘Can’t Keep A Good Man Down’ kept us up and rockin’; and their final offering was another from their Borrowed… album, ‘I Wouldn’t Treat A Dog That Way’.

This was a good little set from a very good band indeed. The rhythm section were impressively tight and competent; ‘Sow-Blow’ was great on vocals and harp (and entertainingly animated as a front-man!) But I was most impressed by Adrian’s playing; and guitar sound.  I spoke to him briefly after their set. He played an  ERNIE BALL MUSICMAN SILHOUETTE SPECIAL through a BLACK STAR amp. I must say, this gave a very impressive sound throughout; for both rhythm and lead work.

LAURENCE JONES: Golden Boy of the Boom Boom Club! (Photo by CGM)

LAURENCE JONES: Golden Boy of the Boom Boom Club! (Photo by CGM)

Next on the Bill was the Golden Boy of the Boom Boom Club – the young and very talented Laurence Jones. He was accompanied by his usual Bassist, the incomparable ROGER INNIS; but his drummer MIRI MIETTINEN unfortunately couldn’t make it, and so had to be replaced by IAN PALMER for the night. (Who, incidentally, is the nephew of legendary Prog-Rock drummer, CARL PALMER).

Gold Top in hand, LJ’s set opened with ‘Can’t Keep Living Like This’ from his latest album Temptation.  It was a rousing start; LJ immediately impressing with guitar and vocals. After thanking the fans for their avid applause, he posed the question: ‘Are you ready to hear some Blues?’ Oh yes! And the lively ‘You Wind Me Up’ continued the Heavy Blues vibe. Changing to a Strat, he gave us his moody ‘Southern Breeze’ next; and followed it with his song inspired by his confrontation with a huge ‘dirty rat in my bed’ in Louisiana:  ‘Soul Swamp River’. Standing at the front of the stage he sang confidently without mic for part of the song.

One of LJ’s favourite songs is the iconic, ‘All Along The Watchtower’.  He has made this his own to some extent, and it has become a regular part of his set – and a firm favourite of his fans too. Again standing front of stage, he played a blinding solo right in front of our little party; and we were treated to a master-class in lead guitar at close range. ‘Foolin’ Me’ (the opener from Temptation), followed. Its a great rocker. There was only time for one more number: ‘Fall From The Sky’ finished the set. This a well-constructed melodic rock song; during which we were encouraged to sing along.  All in all, very enjoyable little set.

This was the third time I’d seen LJ live – all three times at the Boom Boom Club – and the third time I’ve been impressed with his performance. (see my blog entry #14). He has noticeably improved yet again in only the six months since I saw him last. He is more confidant; more relaxed; more skilful – and with stubble on his  face, he doesn’t look like a boy any more either! Roger was outstanding with his monstrous 6-string Bass as usual; and there is a good on-stage interaction between the two; both musically and personally. Stand-in drummer Ian Palmer did a very fine job too. I was a little disappointed that we didn’t hear ‘Move On’; but with so much to get through, set-time was obviously limited.

SONJA KRISTINA: Acid-Folk diva! (Photo by CGM)

SONJA KRISTINA: Respected Acid-Folk diva! (Photo by CGM)

It was time for a significant change of pace then, as SONJA KRISTINA (of Progressive Folk-Rock veterans CURVED AIR), took to the stage with only her keyboard player ROBERT NORTON – and a  very distinctive Washburn acoustic in hand. Unannounced, she began her set with the hauntingly beautiful ‘Citadel’ (from her Songs From The Acid Folk album). This was followed by ‘Colder Than A Rose In Snow’, which is from the same collection; and also on Curved Air’s new North Star album. It has the same vibe about it too. She gave us her ‘Melinda More Or Less’ (from Phantsmagoria) next – a classic originally penned in 1967.  She followed this with her cover of Lennon and McCartney’s song ‘Across The Universe’ – a nice version of an old classic. Sonja then said she’d do one more. ‘Back Street Luv’?  I asked from the audience. ‘Yeah’ she replied ‘….a kind of acidy-folky ‘Back Street Luv”. I love the original of this song, and I loved this ‘acidy-folky’ version too. It was nice for me to see it performed live after all this time as well.

I thought it was a good little set. There were a couple of  people around me  who voiced an opinion that perhaps this wasn’t a suitable set for the Bluesy vibe of the evening, but I couldn’t agree – I thought it made for an interesting change of pace in the proceedings; and introduced a little variety.  Having said that, I think I’d rather have listened to it in the laid-back comfort of a sleepy Folk club, but I enjoyed it very much nonetheless. Sonja was in good voice throughout, and Mr.Norton was impressive on the keys.

Could have ben in Chicago - Grand, Jones and Darby (Photo by CGM)

We could have ben in Chicago! Grand, Jones and Darby (Photo by CGM)

The headliners for the night were then introduced by Pete: veteran guitarists  OTIS GRAND and ALAN DARBY; backed by GLYNN EVANS (Bass); MUNCH MOORE (Keys); and Ian Palmer once again (Drums). This was a band hastily coupled together at short notice, and most of them had never played together before. So what we were about to witness was  testament to their professionalism, experience and skill.  As soon as we heard the first few licks, we felt that we’d been spiritually transported to a Blues club in Downtown Chicago! And that vibe stayed put right through the set; as what was to follow was a demonstration of pure Urban Electric Blues at its best.

Darby (tooled up  with beautiful looking Firebird); and Grand (armed with a red Strat sprayed gold – and wearing a remarkable Mexican Mariachi suit) immediately  launched into ‘A Man Like Me’ – the suit entirely appropriate for the Latin-Blues vibe of the number!  Sharing vocals and swapping solos, our two lead guitarists led us into a classy Blues wonderland.  It was an impressive start from a group of musos not at all used to playing together as a unit. And if anything,  the next offering was even better; as they then hit us with a sublime version of ‘There’s Gotta Be Changes Made’ – a laid-back Chicago Blues to close your eyes and drift away to. The two of them duelled solos for a good eleven minutes  – and I loved it!

Welcomed back on stage then was Laurence Jones. He’d already proved that he can hold his own with the old masters – I’d seen him jam impressively with Walter Trout on this very stage 18 months before. This time with a Telecaster, LJ immediately took to the mic for ‘Easy Baby’ – he and the other two, with faces contorted in ecstasy,  jammed in turns; improvising from the heart for another lengthy demonstration of their art. There then followed an up-tempo untitled instrumental shuffle; again show-casing their collective skills.

Feenstra retuned to the stage once again then; introducing the formidable rhythm section of Evans, Moore and Palmer, and emphasising that they’d only met this afternoon and had been ‘…working their socks off here tonight!’. There was time for one more he said. It was ‘Looking Good’ – in both title and performance. Grand and Darby traded licks superlatively; and when they finished, the applause was deafening. Fantastic!

After the gig Otis soon appeared at the bar, and I tackled him. I asked if he remembered the JOHNNY WINTER  gig back in ’92  where the Blues expert RAY TOPPING and myself met him backstage. (See my blog entry #17). He said that he did, so I told him Ray had since passed away; and we spoke of Ray’s famous vinyl collection (God knows what happened to that after he died). Then someone asked about the Mariachi suit. Otis said he bought it from a Mexican who happened to be the same size!  After a couple of photos, and a bit more chat, we left Otis to speak to some others.

At the merch desk we spoke to Laurence Jones, and congratulated him on a fine performance. We spoke of his nomination for the UK Blues Challenge (‘The Battle For Brussels’), which is to be held at the Boom Boom Club on 11th December (which sadly  I cannot now attend).   Unfortunately I didn’t see Alan Darby, or Sonja Kristina; I’d like to have had a word with them too. And I missed the opportunity to speak to the two bassists, Glynn Evans and Roger Inniss. But I did have a little chat with Pete and Nigel again.

Kudos to to Pete, Eric, and all the staff at the Boom Boom Club (including the hard-working ladies behind the bar) for their marvellous efforts in getting this milestone show up and running; and to all the very talented musicians who made this a most memorable experience. Thanks to Charlie for the excellent photos; and Phil Honley for the video.  Looking forward to the next 1,000 gigs at the club! PTMQ

Here’s a Phil Honley video of Grand and Darby playing ‘There’s Gotta Be Changes Made’ . Other videos from Phil from the same show are also on You Tube……