Tag Archives: Ruby and the Revelators

163. RUBY AND THE REVELATORS “Walk With Me” (2017)

(Image: O.Stevens)

It’s always nice to hear what Ruby Tiger has been doing with her band The Revelators. So I was delighted when she sent me the download to her debut album Walk With Me recently, followed by a CD copy.

I can’t believe it’s been nearly three years since I was invited to Ruby’s Vistas EP launch back in July ’14 (see my review #16). Since then, she and the band have released a couple of singles (see #62 and #138) and a live EP (see #81), but Walk With Me is their first full album.

Ruby And The Revelators are now a five-piece band consisting of Ruby Tiger herself, of course (vocals); Louise Maggs (guitar); John Whale (bass); Frazer Wigg (keys); and Paco Muñoz (drums). Various other fine musos were brought in as necessary for particular songs.

It is a ten track collection of songs that have been part of their live set for a while now, and therefore were honed to perfection before recording began. Most of the songs I didn’t know, and I was struck by the musicianship; the quality of the song-writing; the recording of them; and the sheer variety included – as Ruby herself says: ‘I didn’t want to be a slave to genre, I wanted the songs to come first, and the emotion behind them’. The excellent lyrics apart from the title track (which are by ex-band member King Rollo) are written by Ruby herself; and music penned by Ruby and various band members.

It is a mix of Soul, Blues and Funk with more than a little Jazz influence – yet a bright, fresh take on all of them with nothing jaded or rehashed. Above all it is a work of undeniable quality and class. These are well written songs that’ll either make you dance, cry, or just nod your head with approval.

Ruby’s vocals are exceptionally good, with her characteristic nuances and subtleties having got even better, and are a joy to listen to. Guitar work by Louise is eye-brow raisingly impressive I must say (I knew she was good but she really shines brightly on this album!)  Keys, bass, drums and other instrumentation are all excellent too, and contribute to a very impressive album.

I particularly liked the opener ‘When I See You’, but there are a lot of possible favourites to chose from in this collection. I love the Bluesy ‘Pity City’; the smoky Jazz club vibe of ‘Cold Cold Winter’; and the fun Blues-groove of ‘Find Me A Man’. I found the laid back ‘By My Side’ very pleasing too with it’s wonderful harp work; and the King Rollo penned title track ‘Walk With Me’ finishes the collection in a pensive mood with heart-felt vocal and beautifully sympathetic guitar. But let’s face it, the whole album is a winner!

The CD version comes in a standard Jewel Case with a booklet stating all the usual credits and thanks etc; plus great pics and all lyrics. Nice cover art too. My copy was signed and contained a lovely personal note from Ruby. It’s one of the best albums I’ve heard so far this year and I’m recommending it highly – worth the wait! Check the band’s website for more info. PTMQ

 

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138. RUBY AND THE REVELATORS’ new single “Walk With me”

ruby-tiger-walk-with-meI always look forward to hearing what Sussex-based Blues singer Ruby Tiger has been up to with her band The Revelators. Their new single (released just before Christmas as a digital download only), is a wonderfully moody cover of King Rollo’s heartfelt ‘Walk With Me’. I mentioned Rollo’s original version when I reviewed his album Easy Street a  couple of years ago (see my review #52).

Rollo is of course a close friend of Ruby’s and was once a member of The Revelators himself. His original was a very good song which I liked a lot; but what Ruby and her band have done is elevate it to an entirely different level. Ruby’s soulful vocal on the number is superb – she really feels the song and gives it a generally emotive ambiance.  Musicianship from all the members of the band is wonderful – but especially the remarkable lead guitar from Louise (a little Blackmore / Greeny I thought on first hearing it).

I believe the band are currently working on a new album; and that is something I’m looking forward to hearing, I must say. All profits from the single will go to the charity Hand In Hand For Syria – a worthy cause. It is available from Bandcamp for only £1. A big thumbs up from The Quill. PTMQ.

85. “UK BLUES 2DAY” (Vols 1 & 2): Dave Spark Music Compilation Albums (2015)

(Photo: Dave Spark)

Volume 1 cover. Volume 2 is similar (Photo: Dave Spark)

Not too long ago, Essex Blues aficionado Dave Spark contacted me to say that he was compiling an album to promote new British Blues artists; and wondered if I could recommend some bands and review it for him when ready. It sounded like an interesting and worthwhile project – one that I was fully in favour of and only too pleased to help out with if possible. I suggested a few names and I’m glad to see that a couple of them are included. Dave has done an impressive job of it too. He in fact had enough material for two albums, and released them simultaneously. He also got it done pretty sharpish too! The collections are entitled UK Blues 2Day (Volumes 1 & 2); and they each contain 14 exceptionally good tracks.

I received the downloads from Dave recently, and I must say, I was very impressed with the sheer range of Blues styles that he’d managed to squeeze into the 28 tracks of the two volumes; giving a good selection of what British Blues artists are all about these days.

The whole gamut of the Blues spectrum is represented – from the traditional sounding ‘Uncle Walter’ by  Husky Tones; to the Rock end of the genre, courtesy of  Ali Clinton’s ‘The Lie 24-96’. There is the dulcet voice of Zoe Schwarz on ‘Beatitudes’; contrasting with the gravelly vocals of T Belly’s ‘Respectable Man’. We have the R’n’B of Rev. Ferriday’s ‘Red Painted Lips’; compared to the Country influenced vibe of Mat Walklate’s ‘So Long’. Several artists, such as The Della Grants; and The Blue Horizon, have a song on both volumes. And there is a lot more besides: Dave is keen to especially point out ‘Layla’ by FutureBlues: ‘…it is a strange bed-fellow with the other tracks…’ he told me ‘… but with a new twist on the modern side. I felt it deserved a place on the album’.

(Photo: Dave Spark)

(Photo: Dave Spark)

But being a big fan of female vocal, I was especially pleased to see that tracks by several ladies that I have been very impressed with lately have been included; ie: Ruby Tiger’s ‘Best Friend’; Tanya Piche’s ‘Blues Child Woman’; and Angela Lewis Brown’s ‘Ice Cold Tears’. Ruby and Angela were my recommendations; but Tanya was already known to Dave. (I have reviewed music by all three of these very talented ladies quite recently – see my List of Contents). In spite of the fact that there is lot of female vocal on these two albums (I’m glad to say); there is also some talk of a separate Women In Blues album too; so that sounds promising as well.

I’m recommending both volumes to long-term Blues fans; as well as those who are interested to find out what the UK Blues scene is all about. These albums are good samples of the genre as a whole. At the moment they are only available as MP3 downloads, but there is the possibility of a CD version of each in the future too. Downloads are available from Amazon.

(Photo: Dave Spark)

(Photo: Dave Spark)

Dave has also been busy compiling two similar collections entitled UK Ska 2Day (Also on Amazon). He asked me to review these too, but unfortunately I don’t feel qualified to do this. I’m sure he’s done a damn fine job on them too though. Dave has been promoting British Blues bands at gigs lately too; including the wonderful Malaya Blue gig that I attended a few months ago (see my review #64); and The Tanya Piche Blues Band have also appeared at one of Dave’s promotions recently.

Dave seems to have his finger on the pulse of the UK Blues scene, and is working tirelessly to promote some of the very promising artists currently emerging in the UK. So I’m wishing him the best of luck in all of his very admirable projects. PTMQ

81. RUBY AND THE REVELATORS’ : ‘LIVE’ at The Tuesday Night Music Club (EP) (2015)

(Pic: O.Stevens)

(Pic: O.Stevens)

I was pleased to receive this new Ruby And The Revelators EP from Ruby herself recently. She had previously told me it was in the pipeline and I know she was very excited about it. Having heard it I can see why!

It was recorded at The Tuesday Night Music Club in Coulsdon, Surrey, UK, on 14th July this year; by Simon Taylor of EQ Audio. It is a five track EP of four covers and one original song.  It is the second EP from the band; the first being the excellent Vistas (2014).

Ruby Tiger of course is the vocalist; and the Revelators consist of:  Louise Maggs (guitar); Russ Grooms (bass); and Vinnie Lammy (drums). Between them they’ve jelled into a fine live band – as is apparent from this recording.  (Louise has recently moved from being bassist in the band to guitarist; replacing Ruby’s great friend and collaborator King Rollo).

The four covers are all well-known Blues staples: ‘They Call It Stormy Monday’; ‘Need Your Love So Bad’; ‘It Hurts Me Too’ (see my review of this Ruby single review #62); and ‘I’d Rather Go Blind’. These songs are so well-known that they need no introduction from myself. I’ve said before that I like covers that are not slavish copies; but rather fresh interpretations. I am not disappointed with these songs, as not only are they subject to Ruby’s genuinely emotional and singular vocal style; but they also benefit from Louise’s wonderful Jazz-orientated guitar chops, which makes every one of them a unique rendition. The only original number on in this collection is the heart-felt Ruby / Rollo penned, ‘Best Friend’ (from the Vistas EP). Again it shines because of vocals and guitar. The rhythm section of Grooms and Lammy are tight, reliable and competent throughout the EP too.

The CD comes in a simple slip case, designed by Ruby and Andy Gooding; with a photo by John Bull of Rockpix on the front. There is a lovely explanatory message from Ruby; and all the basic necessary info / credits etc. It is well recorded; and was mixed and mastered by Paul Long. My only (and very minor complaint) is that I thought the audience applause could have been mixed much louder to emphasise the live feel of the recording. Apart from that I think its a faultless piece of work.

All in all, its a very pleasing EP to listen to indeed, and I recommend it to anyone who likes their Blues on the Jazzy edge of the genre; or to anyone who appreciates great female vocal and fine guitar work. I’m looking forward to a full studio album from the band ASAP. PTMQ

For my review of the Ruby And The Revelators gig at The Chichester Inn, Sussex, in July 2014, see my article #16)

For more info on Ruby & Co (CDs, gigs etc) … http://rubytigersings.com/

62. RUBY TIGER’s new single: ‘It Hurts Me Too’; and a little about her forthcoming live EP.

I was delighted to hear that my friend, Blues singer Ruby Tiger had recorded a new single entitled ‘It Hurts Me Too’. I’d been wondering if she would be in the studio again sometime soon; because its been a year since the release of her wonderful debut EP Vistas. She invited me to the Vistas EP launch party in her hometown of Chichester, Sussex, at that time; and I was very impressed by both the EP and the live performance given by herself and her band, The Revelators. (See my Blog entry #16).

Ruby Tiger: It hurts me too (Photo by permission of Oliva Stevens)

Ruby Tiger: It hurts me too (Photo by permission of Olivia Stevens)

‘It Hurts Me Too’ is, of course, a cover of the old Blues standard first recorded by Tampa Red – and perhaps more famously by Elmore James. I like it a lot. My readers will already know that I appreciate a cover; but it has to be a fresh interpretation for me, not a slavish copy – otherwise I can see no point in doing it. The song has been covered by many an artist, with many a take, of course, but I’m glad to report that Ruby has given this old staple a fine new make-over; arranged in collaboration with her dear friend King Rollo, a veteran Bluesman and one-time member of The Revelators (and a name well-known to this Blog, see entry #52).

Ruby describes the song for herself very well indeed….

‘This was one of the first tracks that I began performing with King Rollo some 5 years ago. I found a version by 70’s troubadour Karen Dalton much admired by Dylan and fell in love with the more folky stripped back treatment, which lent the lyrics a more yearning affect…this is what I’ve striven to achieve; to draw out all the emotion that the song’s unique take on how it feels to love someone, evokes’.

If you download the track, I think you’ll agree that Ruby has achieved exactly what she set out to do with this song. Her soulful voice is a joy to hear. She conveys the emotion that she intended – yet remains controlled throughout. I think there is a great deal of Ruby herself in this song; and that’s why it works so well – its from the heart. Rollo’s guitar work is excellent, as we’ve come to expect; and there is additional Lap Steel Guitar from Nick Evans. The song was produced and recorded by King Rollo; and a fine job he’s done too. It will only be available as a download though (link below).

So what else does Ruby have in the pipeline at the moment? When I spoke to her on the phone the other day, she was excited not only about the release of this new single; but also about her forthcoming live EP. This was recorded on 14th July, at The Tuesday Night Music Club in Coulsdon, Surrey; and mixed by Simon Taylor at EQ Audio. It will contain 5 or 6 tracks from the Ruby And The Revelators’ set played that evening – which by all accounts was a great show. The new EP should be available by mid-September; and I’m certainly looking forward to hearing it.

Ruby and her band are a great live act and I’d recommend going to see them. They’ve been gigging further afield than their South Coast homebase lately too – including London’s prestigious 100 Club in Oxford Street – and that is a measure of their increasing popularity. Forthcoming gigs are detailed on Ruby’s website (see below). Enjoy! PTMQ

Here is a link to Bandcamp where you can download the song…

https://rubytiger.bandcamp.com/track/it-hurts-me-too-elmore-james

Here is a link to Ruby’s website….

http://rubytigersings.com/

52. KING ROLLO “Easy Street” (Disques Classiques, 2015)

KING ROLLO's 'Easy Street' (Photo courtesy of King Rollo)

KING ROLLO’s ‘Easy Street’ (Image: courtesy of King Rollo)

I was immediately interested when I learned from the wonderful Blues songstress  Ruby Tiger, that her dear friend and collaborator King Rollo had just released a solo album entitled Easy Street. Interested because last July, I met Rollo when Ruby kindly invited me to  her debut  EP launch party in Chichester, Sussex (see my blog #16), while he was still the guitarist with her band The Revelators; and I was very impressed by his guitar playing style – he’s a really nice bloke too!

Now Rollo is a self-confessed Bluesman through and through – and told me at that same gig, that ‘…if its got more than three chords, I want paying extra!’ He was jesting of course; as there is far more to this veteran guitarist / singer / song-writer, than a  I-IV-V  12-Bar chord sequence! Anyone listening to the album would testify to that straight away.

Easy Street is a collection of eleven acoustic-based Blues / bluesy songs, mostly penned by the man himself, but with a few fine covers thrown in too. Rollo sings and plays all instruments (except drums on Track 10; by Dr. A).

The title track starts the album. Its an upbeat lively little number guaranteed to get your feet tapping; and has a nice electric lead. ‘Like A Dog’ follows. I’m guessing its a bit tongue-in-cheek lyrically – I liked it a lot. An arrangement of ‘Diving Duck’ is next. I’ve heard lots of versions of this old classic over the years – it seems everyone’s had a go at it – but Rollo puts his own unique stamp on it firmly enough, that’s for sure.

Rollo, king of acoustic Blues! (Photo: Alan White)

Rollo, king of acoustic Blues! (Photo: Alan White)

A cover of a JB Lenoir song ‘The Whale Swallowed Jonah’ is next up. Again, Rollo has made it his own to a great extent.  Then its ‘On The Road’ for Track 5. There’s a lovely bit of bottleneck slide-work on this one, which lends the right ambience to this hobo-ish song.

‘A Need’ is a beautiful little Folky tune with a Bluesy feel about it. Lovely slide again too. In contrast to this, ‘The Back Slap Boogie’ is a fun Funky number, which sounds a bit like a parody of ‘The Hokey-Cokey’! Its the longest track in the collection too.

‘Walk With Me’ surprised me with its Spanish guitar style intro. Its a song which sounds like its musical influences are from European Folk; yet still Rollo’s vocals have a Blues inflection about them that makes it unique.

‘You Gotta Move’ is another old Blues staple which has been covered by everyone from Mississippi Fred McDowell, through The Stones, to Aerosmith. (I don’t even know who wrote it originally!) But of course, each artist is singular in their interpretation; and Rollo’s version is unique too.

Mark Knopfler’s ‘Fade To Black’ is a wonderful laid-back Blues; and it has been given a right royal King Rollo make-over here; with some excellent guitar work – a fine cover indeed. Finally, the collection ends with ‘Time In My Life’. It is a Rollo tune; more in the style of a Chicago Blues than an acoustic Delta song. Nice electric lead work; and a great finish to the album.

I’ve not seen a hard copy of the album, having had only a download to work with, so I can’t comment on the CD case. The album was recorded and mastered at Crunchtime in Portsmouth; and produced by Rollo himself.  The very charming cover artwork is by Juliet Asher. All round; a fine job has been done on Easy Street.

This is the first of two excellent, and brand new acoustic Blues albums that I’ve been sent for review recently – the next being Martin McNeill’s Lately I’ve Let Things Slide which will be the subject of my next Blog: #53. (Coincidently, Martin also covers ‘You Gotta Move’).   PTMQ

Here is a link to King Rollo’s website…. http://www.king-rollo.co.uk/

23. THE MICKY MOODY BAND (featuring ALI MAAS) at COOLHAM VILLAGE HALL. Sunday, 12th October, 2014; and a few words about TAME PROMOTIONS and the Sussex Blues scene.

An empty stage at Coolham Village Hall; awaiting The Micky Moody Band (Photo CGM)

In recent months I’ve become aware that there is a good healthy Blues scene going down in Sussex. (For those of my readers who are not too familiar with the geography of England; Sussex is a picturesque county of beautiful hills and quaint old towns on the south coast of England; only an hour or so drive from South London; and well worth a visit).   Now I hadn’t visited Sussex for some years, so I was totally ignorant of this burgeoning phenomenon, until I was kindly invited by Blues singer RUBY TIGER to one of her excellent gigs (in Chichester) back in July (See my blog entry #16), and was pleasantly surprised at how popular the genre has become down there.

A lot of credit for promoting Blues in the area should be attributed to the non-profit making TAME PROMOTIONS of Coolham.  GRAEME TAME – ably assisted by friends SARAH REEVE and RICHARD DONNELLY – have quite recently started booking Blues acts in the local village hall; and are starting to attract some big names.  In just their first few months they’ve already hosted: BEN WATERS; JO HARMAN; PAPA GEORGE; SAM KELLY; LARRY MILLER; RON SAYER; THE ALI MAAS BAND; and the brilliant BUDDY WHITTINGTON. Waiting in the wings for an appearance soon are: EDDIE BLUE LESTER; AYNSLEY LISTER; WILL WILDE; KATIE BRADLEY; and the remarkable LAURENCE JONES, among others.

So, a couple of months ago when Sarah Reeve alerted me to the fact that the formidable veteran Blues-Rock man, MICKY MOODY was to play Coolham with his band, I of course, immediately contacted Graeme Tame to reserve some tickets. This is a big name for Tame Promotions to get on-board; and is a measure of their current standing within the music business.

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

I’ve been a fan of Micky Moody for well over 35 years, now. He first came to my attention as a founding member of DAVID COVERDALE’s post-DEEP PURPLE band WHITESNAKE, back in ’78. Before that, he had, of course, been the JUICY LUCY axe-man.  Since leaving Whitesnake, he’s been a member of many a Rock and Blues band: THE YOUNG AND MOODY BAND; THE MOODY-MARSDEN BAND; 3M; THE SNAKES; COMPANY OF SNAKES; WILLY FINLAYSON AND THE HURTERS; to name but a few; and is currently part of the Rock group SNAKECHARMER who are currently flying high.  He has also worked with just about everyone of note in the music industry over the years – too numerous to mention here. Suffice to say that he is one of the most hard-working, consistent, and ubiquitous guitarists currently working in the UK – he knows his way up and down a fret-board just a bit too!

But his presence in Coolham this afternoon was with his own Blues outfit, THE MICKY MOODY BAND. He’d already played a gig at this venue the night before (along with support act, local band CATFISH – who wouldn’t be present for the Sunday show), which unfortunately I was unable to attend, but which apparently was a resounding success.

The band currently consists of some very experienced musicians indeed. As well as Mr. Moody himself on guitar; there is, ALI MAAS on vocals (who with her own band is making quite a name for herself on the local Blues scene); PETE REES on bass (From the late, great GARY MOORE’s band); and TOM COMPTON on drums (14 years with the recently deceased Blues leviathan, JOHNNY WINTER – see my blog entry #17).

I arrived at Coolham’s local pub ‘THE SELSEY ARMS’ (where the band were staying) with cousin Chas and my Missus in tow. Charlie is a bit of a photographer as well as a big music lover, and was more than happy to take photos as required. We had a meal booked for One O’Clock, with the band due on-stage at 4pm.  I’d arranged to meet Graeme there, and after a Sunday lunch of humongous proportions, we decamped to the village hall.

The Micky Moody Band in full flight (Photo: CGM)

The Micky Moody Band in full flight (Photo: CGM)

Coolham Village Hall is a lovely little place; which apparently can only accommodate less than 100 people. That makes for a very cozy, intimate venue – not the sort of place you would naturally expect to find someone of the calibre of Micky Moody to play. (I saw him with Whitesnake at the READING ROCK FESTIVAL, 1980, in front of 30,000 punters!). But the fact that he and his band agreed to do so, is a measure of the respect they hold for their fans – whether they be present in large, or small quantities!  By all accounts, the night before had been a rockin’ success; but the place was far from full on the Sunday. Still, everyone there was keen to see the show.

As the band had played at the same venue the night before, there was only a little setting up and tuning up to be done. (during which Micky played the ‘Dad’s Army’ theme – and why not?) We had a little chat with the singer, Ali Maas; and then the band went back-stage to get changed. Micky had 3 guitars sitting, waiting on the stage; and I resolved to have a chat with him about them, later if I could. The band emerged after a good introduction from Graeme Tame to great applause.

Micky, armed with a blue Hagstrom guitar, bottleneck, and thumb-pick; immediately started proceedings by launching the band into a good rendition of ‘Same Blues’; with Ali in fine voice. Changing his three guitars (Les Paul; Hagstrom; and Flying Finn) frequently, Micky’s first-half set continued with various well-rendered covers: MAVIS STAPLES’ ‘Mississippi’; and  MUDDY WATERS’ ‘Brand On You’; ‘Taste Of Bourbon’ (which Micky sung);  and ‘Soon Forgotten’.  ‘Retail Therapy’, a newly penned song, followed; and it incorporated a few bars of ‘Day Tripper’. A nice version of The Stones’  ‘Gimme Shelter’ finished off Part One. It included a vignette of ‘Honky Tonk Women’ (well, if you’re covering KEITH RICHARDS’ slide-work in Open-G, you may as well, I suppose!) before reverting to ‘Gimme Shelter’ to the end. Excellent!

Moody and me: Half-time chat (Photo: CGM)

Moody and me: Half-time chat (Photo: CGM)

At half-time, I collared Micky for a chat. I’ve never met him before, but I wasn’t surprised to find that he is a very approachable and down-to-earth kind of bloke, who has the time to talk to his fans. He told me about the three guitars that he’d brought with him for the Coolham gigs: a Gibson Les Paul Gold Top (standard tuning); a lovely blue Hagstrom (Open-D tuning); and a beautiful Flying Finn ‘Micky Moody Signature’ (in Open-G). And why those particular three from his large collection of instruments, I hear you ask? ‘They were nearest the door when I left home!’ he quipped. He had them plugged into an Orange amp, and out to a standard 2 x 12 Marshall speaker; with the required FX (including wah-wah). We also talked about the British Blues scene. We agreed that it is currently in fine fettle; with young guitarists like LAURENCE JONES and OLI BROWN currently making a name for themselves. He also invited me to THE RED LION in Isleworth to see him play with PAPA GEORGE – now that’s an offer you can’t refuse!

Part Two kicked off with EDDIE BURNS’  ‘When I Get Drunk’. This was followed by an original Moody piece – written, he said ‘…in my Victor Meldrew mode!’  Its title: ‘Get Off My Back’; and he took the lead vocal while Ali did backing. It was more to the Rock end of the Blues spectrum than anything else played at the gig; and featured a superb wah-wah solo.

Two ETTA JAMES’ songs were up next: ‘Cry Like A Rainy Day’, which Ali sang beautifully, demonstrating her remarkable vocal skills; and ‘Gotta Serve Somebody’ for which Micky used the Les Paul again with capo on the 3rd fret. This cleverly incorporated the old Whitesnake song ‘Lovehunter’ (co-written with ex-band-mates DAVID COVERDALE and BERNIE MARSDEN back in ’79); and featured another excellent wah-wah solo before returning to ‘Serve Somebody’.

Ali Maas: remarkable vocal skills (Photo: CGM)

Ali Maas: remarkable vocal skills (Photo: CGM)

MEMPHIS MINNIE’s ‘Girlish Days’ followed, during which Ali confidently sang (in part) unaccompanied. Great slide again from MM on the blue Hagstrom. Another old Whitesnake favourite followed: ‘Slow’n’Easy’ from the “Slide It In” album of ’84; again co-written with DC. Some audience participation was required for this one. Then It was time for another Muddy Waters song –  the oft-covered ‘Rollin’n’Tumblin’, which MM sang and show-cased his slide guitar skills. This was followed by  ‘BIG MAMA’ THORNTON’s ubiquitous ‘Hound Dog’ which finished Part Two to great applause.

Graeme Tame took to the stage again then; but the audience needed little encouragement to get the band back for encore.  They played the staple ‘I Just Wanna Make Love To You’. Ali gave it her all, like she really meant it; and when Micky’s Les Paul made love to the Orange-headed Marshall, a suitably dirty-sounding solo ensued! Our lust for good quality Blues satisfied, we applauded for the final time, as these superb musicians left the stage.

Ali soon returned to the auditorium. We had a nice little chat; and Charlie took some final photos. Graeme invited us to further gigs; so I hope we can get down to Coolham again soon. The drive back to Essex was a two-hour nightmare in the pitch-dark and pouring rain (I could have written a Blues song about it – I was in the mood after all!) It was a fantastic little gig though, and well worth the trip to Sussex. Thanks to the band, and Graeme Tame and his associates for providing us with a great afternoon. Cheers, all!

PTMQ