Tag Archives: romford folk club

147. PAMELA WARD & PAUL CHERRINGTON (+ Open Floor) at RFC. 31st January 2017

Pam and Paul at RFC (Photo: Garry Walker)

Pam and Paul at RFC (Photo: Garry Walker)

To be honest I didn’t realise that there was a special guest booked for this particular evening at RFC; I was just expecting an Open Floor Night. So I was pleasantly surprised to find that Northamptonshire based duet Pamela Ward and Paul Cherrington had been asked to play at the club.

Their set was of course preceded by the usual Open Floor spots. Many of the regulars were in attendance and played a couple of good songs each; displaying the great variety of styles and abilities characteristic of these evenings. Pick of the bunch I thought was Mikanora‘s topical and amusing song about US President Trump… ‘Down Mexico Way’.  I did a duet with Jo Gregory playing ‘Killing Me Softly’; and a couple of my own songs too: ’40 Years, 40 Days, 40 Nights’ and ‘Don’t Blame Me If Me Washboard’s Out O’ Tune!’.

Jo and The Quill (Photo: Garry W)

Jo and The Quill (Photo: Garry W)

I had never seen Pamela and Paul perform before, and I was very impressed by their set. Of particular note were Pam’s lovely vocals; and Paul’s hauntingly beautiful alternative guitar tunings (reminding me of Giltrap at times). Their obvious skill at song-writing was evident; and the performance of them was excellent. They began with a couple of covers and then moved on to some of their own well-crafted songs; such as the tragic but beautiful ‘Sail On By’ (about a maritime accident in 1942 which Pam’s father survived); and two fine songs about the Sheffield cutlery trade: ‘Little Mesters’ and ‘Errand Lasses And Buffer Girls’. Preceding each song, Pam gave a good explanation of it; which is something I like to hear before any performance. So thanks to this fine duet for their short but superb set; to the club; for hosting it; and to all who took part.

I had a chat with Pam and Paul after the gig, and obtained three of their CDs: Pam’s Just An Old Fashioned Girl; Paul’s instrumental album Martin & Me; and their joint work Sail On By. Having had a quick spin of these albums I can report that they are all very good indeed. PTMQ

Here is a link to the Pamela and Paul’s website

Advertisements

146. DARIA KULESH (+ Open Floor) at The FaB Club, The White Hart PH, Grays, Essex. Sunday 22nd January, 2017. (+ a few words about the venue).

(Photo: PTMQ)

(Photo: PTMQ)

Preamble.  When my friend, singer/song-writer Daria Kulesh told me she had some solo gigs booked here in Essex, I of course said that I’d try to get along to one or two. Her second album Long Lost Home will be officially released soon, so she is busy gigging her way around the Home Counties and further afield too. I have heard the new collection, and I have reviewed it recently (See my article #145).

The FaB Club is held in the White Hart PH, Grays, Essex – half an hour’s drive through the lanes from Quill HQ – although I must admit I’ve never visited the venue before. The acronym FaB stands for ‘Folk, Acoustic and Blues’ and it is held on most Sunday afternoons (Check their website for details). They host regular Open Floor sessions and occasionally book a special guest such as Daria. I arrived early and was welcomed by MoS Liz Montgomery; and soundman / guitarist Paul Ballantyne – who was busy setting up a fine new Bose sound system. I have met and seen him perform before, at Romford Folk Club (See my article #59). Garry Walker of RFC is also a regular at the FaB and he turned up as well. Daria and husband Julian arrived soon after myself. I haven’t seen them for a year (since she played Haverfolk with her band KARA. See my review #78), so it was lovely to see them both.

(Photo: PTMQ)

(Photo: PTMQ)

The gig (Part One).  The afternoon was split into two parts – each began with some Open Floor spots, followed by a half-set from Daria. To get the ball rolling, Paul Ballantyne played a couple of songs, followed by  a guitar-bass-banjo trio, Keith, Maureen and John, who played a couple of fine songs. I was up next, and borrowing Keith’s lovely Washburn acoustic, played a couple of my own songs: ‘Mid-Life Crisis Blues’ and ‘Nan’s Bread Pudd’n’. Thanks Keith!

Daria began her first set with a Cossack drinking song, to which we all joined in after she had taught us some Russian words! Good fun. Taking up her Shruti Box, she then played the haunting ‘Tamara’ from her new album Long Lost Home (See my previous review #145); followed by the Trad Irish song ‘Tell Me Ma’ on her bodhrán. Three more fine renditions of songs from the new album were then played on her guitar: ‘Safely Wed’; ‘The Moon And The Pilot’; and on the shruti, ‘Heart’s Delight’ – all with heart-felt preambles. And so ended the first, very eclectic, set to great applause.

The gig (Part Two).  After a short break, a few more floor spots restarted the afternoon’s entertainment. As is usual in Folk/Acoustic clubs, a great variety of styles were represented; and very enjoyable they were too. Daria returned then for her second set; and began with a Trad Scottish song; then, bodhrán in hand, she followed this with ‘Begone!’, a favourite song from her live repertoire. It is a true story about a witch hunt – but sung from the point of view of the mob. It is menacing and primal in its intensity.

(Photo: PTMQ)

Keith, Maureen and John (Photo: PTMQ)

Apart from her solo work and being a member of Kara, Daria is also involved with The Company Of Players, a ten-piece group of young Folk musicians. ‘Lady MacBeth’ is a track on their album, and will also appear on the new Kara album too. It is played on the shruti. I hadn’t heard it before; and found it to be very haunting. She followed with the beautiful ‘Gone’ from the new album. Then she sang ‘Hairdresser’ from Eternal Child, and dedicated it to me – perhaps I need a haircut? Thanks Daria. Snip, snip!

The main set finished with a tri-lingual (English/Russian/French) cover of ‘Those Were The Days My Friend’ with which we all joined in of course. Encore was demanded, and duly given in the form of ‘Distant Love’ from Long Lost Home.

Fin.  I very much enjoyed Daria’s performance – she improves every time I see her. She’ll be performing at Cecil Sharp House, Camden, on 23rd Feb for her official album launch – check her website for more info. Thanks to her, the FaB Club and all the regulars who performed to make it a very entertaining afternoon. PTMQ

144. DENNIS HOMES “Sunset To Song Rise” (2017)

(Pic: Dennis Homes)

(Pic: Dennis Homes)

I ran into singer/guitarist/song-writer Dennis Homes at a gig last year (See my review #101); and he told me that he was working on a new album, which I said I’d be interested to hear; so recently he sent me a CD copy for review.

Dennis was of course once a member of late ’60’s psychedelic folkie band Synanthesia, whose eponymous album is apparently much sought after by vinyl collectors these days. Since then he has been writing and performing his own material.

Over the last few months I’d bumped into Dennis a few times at Folk/acoustic clubs, and seen him play a couple of songs from his new collection; namely ‘A Battered Old Guitar’ and ‘Bunjies, Cousins And Troubadour’. I liked them, so I was glad to get hold of the recorded versions.

Its a ten track collection of songs all penned by Dennis himself. There’s quite a variety of genres/styles embraced in the album, with influences from Folk to Rock’n’Roll; from Country to stage shows/musicals. One thing that is consistent throughout though, are the thoughtful song arrangements and the high quality of the clearly sung lyrics. It is obvious that Dennis has put a lot of time and effort into this collection.

I particularly liked the finished versions of the two songs that I’d already heard: ‘A Battered Old Guitar’ with its Duane Eddy-esque riffs; and Bunjies…’ which is of course about the three very influential London Folk clubs of the ’60s. I also liked the opener ‘Keep That Music Playing’ and the finale ‘The Night They Danced Under The Stars’ –  a wartime love story.

The CD comes in a smart card gate-fold case – the type with the disc pressed into the right-hand side. It has basic credits, photos and track list etc; but no lyrics or further info. I like the album because it is inventive and interesting, with great lyrics and fine arrangements. It is available from Dennis’ website, or Amazon. PTMQ

139. ROD STANDEN (+ Open Floor) at ROMFORD FOLK CLUB. Tuesday 10th January, 2017

Rod with The Quill (Photo: Garry W)

Rod Standen with backing from The Quill (Photo: Garry W)

When my friend Rod Standen told me that Garry Walker of Romford Folk Club had given him a Feature Night, I was of course keen to go along. These monthly Feature Nights at RFC, are where one of the club’s regulars are asked to perform a set. The next one (in February) will be Jo Gregory.

I arrived at the venue after work, and Rod showed me his Set List, which comprised of a great variety of covers. Surprisingly, he didn’t want to perform any of the tracks from his album Poetic Force (which I reviewed last year. See entry #109). Another surprise was that although Rod often asks me to join him for the occasional number, this time he wanted me to accompany him for every song. Flattered, I of course agreed.

But first, the usual Open Floor section of the night. All the regulars played one or two good songs. Pick of the bunch this week were in my opinion, Smolovik’s cover of Robert Johnson’s classic ‘Crossroads’; and club boss Garry Walker’s self-penned ‘Romford Town’. As a tribute to Peter Sarstedt who died recently, I played his timeless classic ‘Where Do You Go To My Lovely’; and I was also requested to play my silly song ‘Grandad’s 7 Hats’.

Rod’s eclectic set included classics such as ‘Proud Mary’; ‘Sailing’; ‘Gypsy Rover’;  ‘Durham Town’; ‘Love Is All Around’; ‘Streets Of London’; ‘Country Roads’; and an old favourite of Rod’s ‘Travellin’ Down That Lonesome Road’. Rod’s instruments of choice, were an old banjo (that he’d bought as a wreck from Ebay and has recently restored to a very good condition indeed) and acoustic guitar of course. Encore was demanded; and Rod chose to play ‘Scarborough Fair’. The set finished with great applause. There was at all times, a great deal of audience participation during the set, and this is something that Rod was aiming for all along. I was glad to be asked to join him. A good evening’s entertainment. Thanks to Rod, the club, and all the regulars. PTMQ

136. IAN PETRIE (+ Open Floor) at ROMFORD FOLK CLUB. Tuesday 6th December 2016.

Mr.Petrie (Photo: Garry Walker, RFC)

Mr.Petrie (Photo: Garry Walker, RFC)

Ian Petrie is a name I’d been hearing on and off for some time; but I’d never seen him live so it was high time I put that right. So when I heard that this Kent-based singer / song-writer was to play my local Folk club, I of course went along. Ian has been around for a while, having been a member of several bands such as Dolphin Smile, Skinners Rats and his own outfit The Big Ian Petrie Band. On this occasion though, he was to play a two-part solo set.

But first, Ian’s set was preceded by the usual Open Floor spots. Best of the bunch this week were father and daughter duo Steve and Hannah O’Driscoll; and newcomer Liam who played a great cover of Knopfler’s ‘Romeo And Juliet’. And of course, a great variety of styles and abilities were represented by all who took part. I played Coverdale’s ‘Don’t Fade Away’.

Ian got through the gamut of his repertoire – songs which were funny, clever, and/or thoughtful; and at all times highly entertaining, such as: ‘Face Book Rant’; ‘Go For It’; and ‘Sixty Years’. He spoke a little about each of his songs beforehand – which is something I like to hear. He stated that you can write a song about anything; then treated us to his amusing song that is about nothing at all: ‘Nobody’.

At one point he pulled out an Omnichord and played a singular and excellent cover of Dylan’s / Adele’s ‘Make You Feel My Love’. And at half time, he spoke to some of us about it and I had a play with it. A really interesting instrument that I’ve not encountered before.

I had a chat with Ian after the gig and he gave me his band’s two albums (I Wish That I Could Fly; and Along The B2000!) and his two solo EPs: Sketchbook; and Sketchbook 2). If you like clever and funny songs, I’d recommend getting along to one of Ian’s gigs if you can. An enjoyable evening was had by all. PTMQ

132. YAEL BEBB (+ Open Floor) at ROMFORD FOLK CLUB, in The Sun PH. Tuesday, 22nd November, 2016.

Yael Bebb at RFC (Photo: Garry Walker)

Yael Bebb at RFC (Photo: Garry Walker)

Recently, Garry Walker of RFC told me he had booked Yael Bebb for a feature session at the club, and recommended that I come along. I was intrigued as I knew nothing about the lady or her music. He had met and seen her play at Rochester and Dartford earlier this year, and was impressed enough to invite her to the club. I met and had a chat with Yael before the evening’s proceedings began. She has apparently recently moved from Kent to Essex, and plays a lot around her new county home; and is involved in the Dengie Folk Music Sessions around the East Essex area. She also performed (and went down well by all accounts) at the Leigh Folk Festival this summer. She had arrived with a group of friends (some of whom would join her shortly for part of her set); but let’s leave them sitting at their table for a while….

As is usual with these feature sessions at RFC, the night begins with an Open Floor spot where anyone who so desires can perform a couple of songs. And as usual, a wide range of styles and abilities is represented; all admirable in their way. Master of Ceremonies for the night was Smolowik who got the ball rolling with a couple of good songs. Notable among those present were club boss Garry who sang two fine trad songs; Rod Standen who has recently released an album called Poetic Force. (See my review #109); singer Jo Gregory who sang a beautiful rendition of ‘She Moved Through The Fair’ and will perform a feature set at RFC next February; a gentleman called Keith who played an oud (a remarkable instrument of Middle-Eastern origin related to the lute); and a lady called Jan who recited an impressive Shakespearean sonnet that she’d written. I played David Coverdale’s ‘Soldier Of Fortune’ and my own song ‘The Boys Of The Old 83rd’… but I offer no critique of my own performance!

Ken, Yael, and Janice (Photo: Garry Walker)

Ken, Yael, and Janice (Photo: Garry Walker)

After a short break it was time for this week’s feature spot. Accordion in hand, Yael seated herself in the performance area and began her short but eclectic, and internationally flavoured set, which included French, Scottish, and English tunes; and the African-American Spiritual ‘Wade In The Water’, for which the audience joined in. I particularly enjoyed her version of Fairport’s ‘Crazy Man Michael’. At one point Yael invited two friends to join her – regulars from the Dengie Sessions. These were Janice Higgins on recorder; and Ken Saunders on accordion. They played well together as a unit and are obviously well-practiced. A thing that I like when seeing musicians play live is a little explanation before each song; and Yael did not disappoint in this. I quite enjoyed her set, and so did everyone present – as evidenced by a demand for encore. I’d recommend seeing her and her friends if you are into Folk music and live in the Essex area. Thanks to Garry of RFC. PTMQ.

Link to the Dengie Folk Sessions FaceBook page

109. ROD STANDEN “Poetic Force: Poetry In Emotion” (2016)

Poetic Force (Pic; Rod Standen)

Poetic Force (Pic; Rod Standen)

I bumped into Rod Standen at a gig at Romford Folk Club a short while ago (see my review #99) He played ‘Voices Of The Night’, (a track from his album Poetic Force: Poetry In Emotion) during the Open Floor session at the club before the headline act. It was an interesting piece. I had a chat with him afterwards and he kindly gave me a CD copy of the album for review.

Poetic Force: Poetry In Emotion is a concept album. There are seven tracks in all. Lyrically each is a famous poem of the Romantic genre put to Rod’s music.  Blake; Wordsworth; Gregory Smith; John Clare; and William Henley’s work are all represented; and there are two poems from Longfellow. Talking to Rod after that gig, he was enthusing about the power of verse to inspire his music. I can see that myself, because at the age of about fifteen I remember naively trying to set the words of Tennyson’s ‘Charge Of The Light Brigade’ to my own Rock music – and with only a limited knowledge of the guitar at the time, had to give up. (Thank God I have never been tempted to reawaken that project!) But the concept has long been in my head; so I warmed to Rod’s idea immediately. (Something slightly overlapping this work is Ange Hardy‘s recent concept album on the life and works of Coleridge: Esteesee – see my review #72).

Rod has produced a very interesting album. It is clear, I think, that the music is merely a vehicle for the verse – and fair enough too. These classic poems need no appraisal from me – and nor am I qualified to do so. Musically it is good, although the accusation of ‘saminess’ may be levelled at the collection by some. Each track has a busy acoustic guitar part which is fine but a little repetitive (although I must emphasise, played by Rod very well indeed); and there is little variation in vocal melody from track to track. Even so, I found it very pleasant to listen to as I worked at home recently – and it is for listening to after all, due to the use of the classic verse.

Rod seems to have done almost everything himself on this project: from writing the music and recording the songs; to designing the sleeve; writing the notes on the excellent enclosed leaflet – and even personally sticking the label on the CD. He told me that he recorded the whole album whilst his wife was on a shopping trip one day! This is a unique collection, and Rod is to be highly commended for it – and at only a fiver, it is real value for money! I’d say buy it if you have an appreciation of the Romantic poets; or even if you just like something a bit different. PTMQ.

Rod will be playing a live session at Romford’s TIME FM 107.5 (Karen Lennon Show); this Saturday, 25th June at 11AM. Worth having a listen, I think.

The CD is available from Rod’s Ebay page

Or, for those local to Romford,  from Fairkytes Arts Centre, Hornchurch Essex

Contact Rod …  rodstanden62@gmail.com