Tag Archives: martin mcneill

168. FRANK STATESBORO (+MARTIN McNEILL & Open Floor) at RFC. Tuesday 9th May 2017.

Bluesman 1: Frank Statesboro (Photo: G.Walker)

Well, with Frank Statesboro as special guest, this particular night at Romford Folk Club was bound to get a bit Bluesy. Add to that, Martin McNeill (the maestro of Monday Blues At Peggy Sue’s) contacted me the day before asking about the club, and I suggested he come along too. So with several of the regulars also getting into the Blues vibe, it was sure to be a memorable night.

The preceding Open Floor spots were very varied as usual – although rather Blues dominated. Best among them I thought were of course, Martin McNeill with his ‘Feel So Good’ and ‘Unchain My Heart’ (which I’ve heard him play several times at Peggy Sue’s); Jo Gregory‘s a cappella cover of ‘Cry Me A River’; and Jackie Gregory‘s fine version of ‘Matty Groves’. Of course, I played my ‘Mid-Life Crisis Blues’; and Vern Waldie asked me to accompany him for his own Blues number ‘My Love’ – which I didn’t know, but enjoyed playing.

Bluesman 2: Martin McNeill (Photo: G.Walker)

Introduced by Nora Kelson (MoC for the night), the man in black, Frank Statesboro took to the performance area and began with Crudup’s ‘That’s Alright’. His imposing physical presence was only outweighed by his gravelly vocal and aggressive strumming style, which is characterised by strong bass runs and loudly muted chords. He got through two great sets of Blues classics, including: ‘Got My Mojo Working’; and ‘Mean Ol’ Frisco’.

Other varied songs in his repertoire were ‘What A Wonderful World This Would Be’; ‘Handbags And Gladrags’; ‘Rockin’ Robin’; ‘If Loving You Is Wrong’; and ‘Heartbreak Hotel’.

Highlight of the evening for me though, was when Frank invited Martin to jam with him on a couple of songs. Now, these two are very experienced Bluesmen (albeit with very different styles); yet they had never jammed together before. No problem – they steamed into a pacey Rock’n’Roller: ‘Gone, Gone, Gone’, with Martin on bottleneck, duelling with Frank. They followed this with a fine cover of Greeny’s classic ‘Black Magic Woman’. Again extended improvised solos from both guitarists that is rarely witnessed outside of a Blues club. Excellent!

Statesboro and McNeill (Photo: G.Walker)

Frank also included an entertaining medley of disparate songs of various styles. These were segued within two halves of ‘King Of The Swingers’. They included ‘The Drunken Sailor’; ‘Mama Don’t Like No Music’; and ‘Valerie’. Bizarre – but it worked a treat!

Martin was invited to return to the floor then for a well deserved encore of Bo Diddley’s ‘Before You Accuse Me’. An excellent rendition it was too; and the show finished to great applause.

All in all, a great Blues dominated evening – one of the best Guest Nights I’ve seen at the club. I thoroughly enjoyed it; so a big thank you to Mr.Statesboro; Mr.McNeill; the club officials; and all those who took part in making it a memorable evening once again at RFC. PTMQ.

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115. KATIE BRADLEY with THE CHRIS CORCORAN TRIO (+ support MARTIN McNEILL) at THE NEW CRAWDADDY BLUES CLUB, Billericay, Essex. Friday 29th July, 2016.

Katie sings the Blues! (Photo: K.Bradley)

Katie sings the Blues! (Photo: K.Bradley)

Back in January, at a gig at Peggy Sue’s Music Bar (see my review #87), Blues singer Katie Bradley told me that she and The Chris Corcoran Trio would be headlining at The New Crawdaddy Blues Club, Billericay, Essex later in the year. That was, of course, a date I was eager to keep. But I had to rush from work to get there; and even so I completely missed the support act Martin McNeill (who of course is the host at Monday Blues At Peggy Sue’s); and I arrived just as Katie, Chris and the boys were beginning their set.

Katie of course often gigs with Chris Corcoran and his band; and they work very well together. Mr.C himself is a guitarist of great and unique ability; and he is aided by the remarkable and respected JJ Zarbo on Double Bass; and the highly rated Rob Pokorny on Drums.

Katie’s vocals are smooth and soothing; with charming nuances inherent in her voice. A joy to hear and see perform. And apart from being a fine vocalist, Katie is also a bit tasty with the Blues Harp too; and this was certainly in evidence tonight.

The four of them got through a single fine set of mostly well-known Blues covers. I like fresh interpretations of classics; and they didn’t disappoint in this – reworking several Blues staples with a refreshing zest; melding the familiar with the new. Luminaries such as Georgia White; Billie Holiday; Big Mama Thornton; and Muddy Waters; were brought back to life in Katie’s inimitable style. We heard Howlin’ Wolf’s ‘My Baby Caught A Train’; BB King’s ‘Three O’Clock In The Morning’ and ‘Every Day I Have The Blues’.

Chris Corcoran (Photo: Karen R)

Chris Corcoran (Photo: Karen R)

We were also treated Katie’s own ‘Be Careful With My Baby’ which featured a great solo from Chris.  Its only a shame that we didn’t get more of Katie’s own material, which (in collaboration with Dudley Ross) has brought her much acclaim in recent years – particularly at the BBA last year.

My personal favourite was the classic Kansas Joe McCoy’s old Jazz-Blues number ‘Why Don’t You Do Right?’. I’ve always loved this song, and I’ve heard many covers of it over the years – this being one of the best. It featured fine solos from all three of the band, and some particularly good vocals from Katie of course. Excellent!

Several people I knew present in the audience on the night had been looking forward to the gig for some time, and showed their appreciation by demanding a double encore. It was well deserved. If you like your Blues on the traditional side – yet with a spark freshness too – then I’d say get along to a KB gig ASAP; and you won’t be disappointed. I had time for a little chat with Katie and Chris after the show. They are working on a new album; so that is something to look out for.

Big thanks to: impressario Paul Dean of the New Crawdaddy for hosting a fine night of Blues yet again;  to Paul’s fine team of volunteers for making it run so smoothly; and to Karen of the club for supplying great photos once more. See my review (#66) of a Red Butler gig at The New Crawdaddy last year for basic info on the club; or see their website. PTMQ

Katie’s website

Chris’ website

102. MONDAY BLUES AT PEGGY SUE’S 2nd May 2016. Host: MARTIN McNEILL; special guests: TIM HUSKISSON and PAUL WOODLEY

Tim and Martin (Photo: Karen R)

Tim and Martin (Photo: Karen R)

Another Monday trip to Peggy Sue’s Music Bar in Leigh-On-Sea, Essex, was rewarded once again by a display of some fine musicianship. Martin McNeill – the stalwart host of these regular Bluesy evenings – needs little introduction from me as my regular readers will already be aware of his dedication to the genre, and his skillful bottleneck slide-work. And likewise, this wonderful little venue itself needs no further description from myself. (There is a list of some of my earlier articles about Peggy Sue’s for further information, below).

At first there weren’t a great many people present (maybe because it was a Bank Holiday Monday); but there were a few friends in; including Karen of The New Crawdaddy Club who kindly took some photos for me. Quite a few more people turned up as the evening progressed however; including Mitch ‘Harp Hog’ Greaves of the Blues Spiders. (Sadly, although armed with his case of Harps, we never got to hear him play!)

Paul Woodley: Thames / Mississippi Delta Bluesman! (Photo: Karen R)

Paul Woodley: Thames / Mississippi Delta Bluesman! (Photo: Karen R)

Proceedings began with Martin and Tim’s first of two sets; during which they impressed us with some good old Blues / Bluesy songs including Big Joe Turner’s ‘Honey Hush (You Talk Too Much)’; Ray Charles’ laid-back ‘Drown In My Own Tears’; Dave Van Ronk’s ‘Tell Old Bill’; and due to Tim’s presence as a guest, Duke Robillard’s instrumental ‘Cookin’ – during which Karen remarked that its ‘nice to see Martin out of his comfort zone!’ Martin was as usual, adept with his bottleneck and on-form with his (what I refer to as) unique ‘English Blues’ style of vocals. Tim showed himself to be keyboard maestro, of course. I don’t know much about tickling the ivories myself, but its great to see and hear someone like Tim who certainly knows his way around the keys. He was superb.

To be honest, I didn’t know Paul Woodley was going to be at Peggy Sue’s on this evening until someone in the know told me on the way there! But I’m very glad I was there to see him. When Martin and Tim had finished their first set, Paul was introduced. Picking up his beautiful National acoustic (tuned to Open-G), it was immediately clear that he’d been doing his homework on some authentic Delta Blues! He launched into a few numbers that were very impressive indeed – close your eyes and you could almost be there! He talks with a typical Thames Estuary accent, but sings like a genuine Mississippi Bluesman. His slide-work was remarkable. He covered several classics including RL Burnside’s ‘When My First Wife Left Me’; and Hambone Willie Newbern’s oft-covered staple ‘Rollin’ and Tumblin’. I think everyone present was very impressed indeed.

Tim Huskisson: Keyboard maestro! (Phot: Karen R)

Tim Huskisson: Keyboard maestro! (Photo: Karen R)

Martin and Tim returned for a second set which was equally as good as the first. It included ‘Too Hot To Handle’; ‘My Next Ex-Wife’; ‘Take my word For It Baby’; and Tampa Red’s ‘You Can’t Get That Stuff No More’. And one which I particularly liked, which Martin described as ‘One of those pretty Blues numbers’: Taj Mahal’s ‘John, Ain’t It Hard’. And so ended another great evening at Peggy Sue’s. I love to get down there on a Monday night, but sadly my visits are few and far between due to one reason or another; but I’m hoping to be back there again soon.  PTMQ

Here is a link to Martins website for future gigs at Peggy Sue’s; and Martin’s other gigs

Here are some other of my articles about Monday Blues At Peggy Sue’s….

#87. 25th January 2016: Martin McNeill with guests Katie Bradley and Chris Corcoran

#63. 3rd August 2015: With Richie Milton and Bill Farrow

#47. 20th April 2015: Martin McNeill with guest: Roy Mette

#38.2nd March 2015: Martin McNeill with guests Steve West Weston and Rob Glazebrook

Here is a review of Martin McNeill’s album Lately I’ve Let Things Slide (#53)

87. MONDAY BLUES AT PEGGY SUE’S, 25th January, 2016. Host: MARTIN McNEILL; with special guests: KATIE BRADLEY and CHRIS CORCORAN.

(Photo: PTMQ. Katie herself chose this pic from those I took on the night)

(Photo: PTMQ. Katie herself chose this pic from those I took on the night)

My first trip to Monday Blues At Peggy Sue’s, this year, was a good’n to say the least. As usual, it was hosted by the inimitable Martin McNeill – this week with special guests: the incomparable vocalist Katie Bradley; and the impressive guitarist Chris Corcoran.

Now, Martin hosts his Blues night at Peggy Sue’s every Monday, and I must admit that I haven’t been there too often; but when I have, its always been very good indeed. But tonight’s show was, I thought, exceptional – even judged against the high standards I’ve seen set previously. It is a measure of Martin’s success at Peggy Sue’s that he is attracting ever bigger names from further afield. And long may that continue.

Katie and Chris, although both having their individual projects, collaborate often, and work very well together. Both are making quite a name for themselves in the UK Blues scene of late; especially Kate, who only last year won the British Blues Award in the Best Song-Writer category (for her work in collaboration with Dudley Ross); and was runner up in the Best Female Vocal category.

I arrived early and had a chat with the three performers and a few others of my acquaintance – including Russ Cottee of The Blues Spiders, (I’ll be writing about this band’s new album on my site shortly). All were friendly and approachable of course.  Katie and I had a nice little chin-wag. I found her to be a genuinely amiable lady; who is open and modest. Hopefully I can get a proper interview with her some time later in the year (watch this space).

Martin and Chris began proceedings by opening with ‘It Hurts Me Too’ and followed with ‘Rollin’ and Tumblin’. Then, with Katie taking up the mic and joining the boys, the trio launched into Jimmy Reed’s ‘Baby What You Want Me To Do?’ There then followed a remarkable set of (mostly) covers – Blues standards as well as lesser known numbers. They got through songs by such luminaries as Howlin’ Wolf; Willy Dixon; Memphis Minnie; Little Walter; Ray Charles; and WC Handy; plus others. A good selection of classics.

There was also; an excellent cover of Etta James’ classic ‘I’d Rather Go Blind’ (which went down particularly well with the audience);  ‘Hey Now, Aint That The Blues’ by the uniquely named Rubberlegs Williams;  then one of Katie’s own songs ‘Be Careful With My Baby’; and a couple of instrumentals by the lads without Katie. But I particularly liked their renditions of Greeny’s ‘Need Your Love So Bad’; and Kansas Joe McCoy’s ‘Why Don’t You Do Right’ best of all.

At all times the performances by all three was classy and faultless. Martin’s slide work was superb as usual – which I have of course, documented before. To be honest, I wasn’t at all familiar with Chris before this gig. Katie said that as a guitarist myself I would like his work. She was right; I was very impressed by his consummate playing style, which seemed to accurately pick up on the vibe of the early Blues numbers that he covered. Add to this a good clear tone from his semi-acoustic; and some great lead guitar work too.

Katie herself sung beautifully – confidently and elegantly delivering Blues classics with ease for the small, but very appreciative audience. I never look for imperfections in anyone’s performance, but if I did, I’d have found none at all in Katie’s performance on the night! Both her voice and her vocal style are impressive. She obviously has a great knowledge of the great Blues singers of the past; but delivers in her own unique style too. She sings a little Jazz too, she told me; and I think that is discernible in her style as well. There is no wonder then, that she came second in the Female Vocal category at the prestigious British Blues Awards in 2015. She proved herself to be more than a bit useful on harp too – although she apologised for not bringing her best set of harps with her to the gig. We forgave her – she was fantastic anyway!

All in all it was an excellent little gig indeed – only marred by the fact that I had to leave early to go to work! Thanks to all the staff at Peggy Sue’s for fine hospitality as usual. PTMQ.

Click below for my other reviews of gigs Monday Blues At Peggy Sue’s, see…

#38. Martin McNeill; with Steve West Weston and Rob Glazebrook. 2nd March 2015.

#47. Martin McNeill; with Roy Mette. 20th April 2015.

#63. Richie Milton and Bill Farrow. 3rd August 2015.

For my review of Martin McNeill’s excellent album Lately I’ve Let Things Slide; click here.

For Martin’s website, click here

For Katies website, click here

For Chris’ website, click here

For Peggy Sue’s Face Book page, click here

 

63. MONDAY BLUES AT PEGGY SUE’S, 3rd August, 2015. With MILTON & FARROW.

MILTON & FARROW at Peggy Sue's Music Bar (Photo: PTMQ)

MILTON & FARROW at Peggy Sue’s Music Bar (Photo: PTMQ)

I suppose that if I lived nearer to it, I’d be frequenting Peggy Sue’s Music Bar in Leigh-On-Sea, Essex a lot more often than I do. As much as I like the place, this was unfortunately only the third visit that I’d been able to make this year. (See my Blog entries #38 and #47 for reviews of the earlier gigs). As it is, I get there when I can.

My third visit to Peggy Sue’s this year was to be a bit different, however. I knew that the special guests this particular Monday were to be my old friends, the veteran acoustic Blues duo Richie Milton and Bill Farrow; but it wasn’t until Bill phoned me that afternoon that I found out that the usual host Martin McNeill was on holiday, and had asked the duo to act as proxy hosts – as well as guests. I saw Bill play a couple of solo songs at Romford Folk Club recently (see Blog #59); but I hadn’t seen the pair of them in action together since their gig at Onaplate Café in Shenfield back in January (see Blog #33).

Peggy Sue’s was fuller that night than I’ve seen it before. The punters present seemed to be mostly Milton & Farrow fans of course; and some among them were very good personal friends of the pair as well. I was introduced to some very interesting people who were there too.

You know what to expect with Richie and Bill: quality upbeat acoustic Blues; a good sing-song; and a good laugh too! They did not disappoint. In fact, this was the best gig I’d seen them play. As is usual with these two, there was no formal Set List; they just decided what to play as they went along. This very informal approach makes for a very warm and personal ambience – like having a couple of mates round for a jam. And the two of them fed off the enthusiasm of we, their audience, who lapped up everything they played.

I won’t go into a detailed description on this occasion; suffice to say that they played many of their own, inimitable Blues favourites (which are frequently amusing; and often with a Cockney flavour); like: ‘Believe Me Woman’; ‘Hammersmith & City Line’; ‘What Do I Do Now’; ‘Everybody Sang The Blues’; ‘ASAP’; ‘Odd Sox Boogie Blues’; ‘BBQ Chicken And Wine’; ‘Chicken In The Yard’; ‘Rain, Lotsa Rain’; and many others.

Add to this some fine covers of old classics like: ‘Glory Of Love’; ‘Corinna, Corinna’; and ‘Deep Elem Blues’; and you have a winning formula. There was some great banter between the songs too.  You can’t help but clapping, singing, and laughing along. All in all, a great evening’s entertainment. The great applause that ended their set was very well deserved.

Finally, a great big Thank You to Lorraine, Dave, Johnny and all the staff at Peggy Sue’s for hosting a great evening once again. PTMQ

A review of Milton & Farrow’s last EP Skiffleodeon is on my Blog entry #22

A review of Martin McNeill’s album Lately I’ve Let Things Slide is on my Blog #53

Here is a link to Martin McNeill’s website for future gigs at Peggy Sue’s …

http://www.martinmcneill.co.uk/

Here is a link to Richie Milton’s website for his own gigs and those with Bill Farrow …

http://www.richiemiltonandthelowdown.co.uk/

53. MARTIN McNEILL “Lately I’ve Let Things Slide” (Bottleneck Blues, 2015)

'Lately I've Let Things Slide' (Photo: PTMQ)

‘Lately I’ve Let Things Slide’ (Photo: PTMQ)

Martin McNeill is a name that my regular readers will know by now. His new album Lately I’ve Let Things Slide, is the second of two excellent new acoustic Blues albums that I’ve been sent for review recently – the other being King Rollo’s Easy Street  (see my previous review #52). In fact, I was pleasantly surprised when Martin said that he had an album on CD to send me, because I didn’t even know he’d been in the studio! Back in January when I spoke to him at a  Milton And Farrow gig (see my review #33), he said that he’d never really been too involved with recording – although he had released an earlier album about fifteen years ago (which I haven’t heard). Well I’m glad to say that his remarkable talents are on record once more with the release of this fine collection.

There are twelve tracks on the album – mostly covers; but every one reworked in Martin’s inimitable style. One song however, is penned by Martin himself. He sings all vocals; and plays all guitars and harmonica. The title is well-chosen, as bottleneck slide is what this opus is all about – Martin being a master of the art.

The title track starts us off. Its a sad, yet somehow amusing, Nick Lowe song that Martin has given a Blues-style make-over, with the bottleneck slide technique for which he is well known. It works well; and prefigures what’s to come.

The second track, the old Blues classic ‘You Gotta Move’, (an old classic made famous by Mississippi Fred McDowell), has coincidentally been included in both Martin’s and Rollo’s new albums. And as I wrote in the previous Blog entry, although many have covered the song, each has done so in their own distinctive way. Certainly, Martin’s version here, can also be added to the long list of fine covers of this old Blues number – but no; I won’t be drawn into which I prefer!

(Photo: PTMQ)

Bottleneck slide maestro Martin McNeill at Peggy Sue’s Music Bar, Essex in April 2015.(Photo: PTMQ)

‘On The Road Again’ is of course the old Floyd Jones song made famous by Canned Heat back in ’67. Martin has reworked it; and its good. And I must say I prefer it to many other versions (including even the Canned Heat one – because I never really liked the vocals!).

Keb Mo (real name: Kevin Moore) is the writer behind the next song ‘Keep It Simple’. I must admit I’m not too familiar with his work; but thanks to Martin I’m now a little wiser!  Lovely  sound on the lead on this one. And another old classic, the RL Burnside song ‘Going Down South’ gets the MM treatment next!

‘Pickin’ The Blues’ is a chirpy little instrumental; again covered by many – including the greatest of all slide guitarists – the legendary Elmore James. But Martin does the old master proud on this one. This is followed by two more oft-covered old staples: ‘Rain Down Tears’; and   ‘Waiting For My Baby’ (another McDowell number).

‘Mad With me’ is the one song in this collection that is penned by McNeill himself; and its the only chance we have of seeing how deeply all this Blues has entered his psyche! And to be honest, if i didn’t know it was a McNeill song, I’d assume it was an oldie that I didn’t know! So he has certainly showed himself to be a good song-writer on the strength of this one. He also demonstrates that he’s a decent Harp player too. It compliments the oldies nicely!

The Gary Nicholson / Guy Clark  penned ‘Leap Of Faith’; and another Keb Mo song ‘I’m On Your Side’ are up next. Both covers are well arranged and satisfying to hear – nice Harmonica again on the latter. Then finally two old songs are cleverly fused together: the haunting instrumental ‘Paris Texas’ by Ry Cooder; and Blind Willie Johnson’s ‘Nobody’s Fault But Mine’ (without the lyric).

Martin’s vocals are unusual. He manages to pull off the most unlikely thing of singing Blues songs with an English accent – but still making it sound right! I don’t know of anyone else who can do this. He has a relaxing voice and easy, clear vocal style too. Quite pleasant to listen to.

The album was recorded by Jon Webber at JWS Studios. The cover is of the card and plastic gate-fold type which I prefer; with photos by Tim Hubbard and The Dim Locator; plus a basic track listing with writer credits.

If you like a bit of acoustic Blues, then you’ll love both this album and King Rollo’s too; and I can highly recommend them both. I’m looking forward to seeing both of these quite remarkable Bluesmen again at gigs ASAP. Martin regularly hosts Monday Blues At Peggy Sue’s Music Bar in Leigh-On-Sea in Essex with a different special guest every week. For all his other gigs (including with his band Bottleneck Blues), see his website…….

 http://www.martinmcneill.co.uk/

 PTMQ

52. KING ROLLO “Easy Street” (Disques Classiques, 2015)

KING ROLLO's 'Easy Street' (Photo courtesy of King Rollo)

KING ROLLO’s ‘Easy Street’ (Image: courtesy of King Rollo)

I was immediately interested when I learned from the wonderful Blues songstress  Ruby Tiger, that her dear friend and collaborator King Rollo had just released a solo album entitled Easy Street. Interested because last July, I met Rollo when Ruby kindly invited me to  her debut  EP launch party in Chichester, Sussex (see my blog #16), while he was still the guitarist with her band The Revelators; and I was very impressed by his guitar playing style – he’s a really nice bloke too!

Now Rollo is a self-confessed Bluesman through and through – and told me at that same gig, that ‘…if its got more than three chords, I want paying extra!’ He was jesting of course; as there is far more to this veteran guitarist / singer / song-writer, than a  I-IV-V  12-Bar chord sequence! Anyone listening to the album would testify to that straight away.

Easy Street is a collection of eleven acoustic-based Blues / bluesy songs, mostly penned by the man himself, but with a few fine covers thrown in too. Rollo sings and plays all instruments (except drums on Track 10; by Dr. A).

The title track starts the album. Its an upbeat lively little number guaranteed to get your feet tapping; and has a nice electric lead. ‘Like A Dog’ follows. I’m guessing its a bit tongue-in-cheek lyrically – I liked it a lot. An arrangement of ‘Diving Duck’ is next. I’ve heard lots of versions of this old classic over the years – it seems everyone’s had a go at it – but Rollo puts his own unique stamp on it firmly enough, that’s for sure.

Rollo, king of acoustic Blues! (Photo: Alan White)

Rollo, king of acoustic Blues! (Photo: Alan White)

A cover of a JB Lenoir song ‘The Whale Swallowed Jonah’ is next up. Again, Rollo has made it his own to a great extent.  Then its ‘On The Road’ for Track 5. There’s a lovely bit of bottleneck slide-work on this one, which lends the right ambience to this hobo-ish song.

‘A Need’ is a beautiful little Folky tune with a Bluesy feel about it. Lovely slide again too. In contrast to this, ‘The Back Slap Boogie’ is a fun Funky number, which sounds a bit like a parody of ‘The Hokey-Cokey’! Its the longest track in the collection too.

‘Walk With Me’ surprised me with its Spanish guitar style intro. Its a song which sounds like its musical influences are from European Folk; yet still Rollo’s vocals have a Blues inflection about them that makes it unique.

‘You Gotta Move’ is another old Blues staple which has been covered by everyone from Mississippi Fred McDowell, through The Stones, to Aerosmith. (I don’t even know who wrote it originally!) But of course, each artist is singular in their interpretation; and Rollo’s version is unique too.

Mark Knopfler’s ‘Fade To Black’ is a wonderful laid-back Blues; and it has been given a right royal King Rollo make-over here; with some excellent guitar work – a fine cover indeed. Finally, the collection ends with ‘Time In My Life’. It is a Rollo tune; more in the style of a Chicago Blues than an acoustic Delta song. Nice electric lead work; and a great finish to the album.

I’ve not seen a hard copy of the album, having had only a download to work with, so I can’t comment on the CD case. The album was recorded and mastered at Crunchtime in Portsmouth; and produced by Rollo himself.  The very charming cover artwork is by Juliet Asher. All round; a fine job has been done on Easy Street.

This is the first of two excellent, and brand new acoustic Blues albums that I’ve been sent for review recently – the next being Martin McNeill’s Lately I’ve Let Things Slide which will be the subject of my next Blog: #53. (Coincidently, Martin also covers ‘You Gotta Move’).   PTMQ

Here is a link to King Rollo’s website…. http://www.king-rollo.co.uk/