Tag Archives: Deep Purple

23. THE MICKY MOODY BAND (featuring ALI MAAS) at COOLHAM VILLAGE HALL. Sunday, 12th October, 2014; and a few words about TAME PROMOTIONS and the Sussex Blues scene.

An empty stage at Coolham Village Hall; awaiting The Micky Moody Band (Photo CGM)

In recent months I’ve become aware that there is a good healthy Blues scene going down in Sussex. (For those of my readers who are not too familiar with the geography of England; Sussex is a picturesque county of beautiful hills and quaint old towns on the south coast of England; only an hour or so drive from South London; and well worth a visit).   Now I hadn’t visited Sussex for some years, so I was totally ignorant of this burgeoning phenomenon, until I was kindly invited by Blues singer RUBY TIGER to one of her excellent gigs (in Chichester) back in July (See my blog entry #16), and was pleasantly surprised at how popular the genre has become down there.

A lot of credit for promoting Blues in the area should be attributed to the non-profit making TAME PROMOTIONS of Coolham.  GRAEME TAME – ably assisted by friends SARAH REEVE and RICHARD DONNELLY – have quite recently started booking Blues acts in the local village hall; and are starting to attract some big names.  In just their first few months they’ve already hosted: BEN WATERS; JO HARMAN; PAPA GEORGE; SAM KELLY; LARRY MILLER; RON SAYER; THE ALI MAAS BAND; and the brilliant BUDDY WHITTINGTON. Waiting in the wings for an appearance soon are: EDDIE BLUE LESTER; AYNSLEY LISTER; WILL WILDE; KATIE BRADLEY; and the remarkable LAURENCE JONES, among others.

So, a couple of months ago when Sarah Reeve alerted me to the fact that the formidable veteran Blues-Rock man, MICKY MOODY was to play Coolham with his band, I of course, immediately contacted Graeme Tame to reserve some tickets. This is a big name for Tame Promotions to get on-board; and is a measure of their current standing within the music business.

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

I’ve been a fan of Micky Moody for well over 35 years, now. He first came to my attention as a founding member of DAVID COVERDALE’s post-DEEP PURPLE band WHITESNAKE, back in ’78. Before that, he had, of course, been the JUICY LUCY axe-man.  Since leaving Whitesnake, he’s been a member of many a Rock and Blues band: THE YOUNG AND MOODY BAND; THE MOODY-MARSDEN BAND; 3M; THE SNAKES; COMPANY OF SNAKES; WILLY FINLAYSON AND THE HURTERS; to name but a few; and is currently part of the Rock group SNAKECHARMER who are currently flying high.  He has also worked with just about everyone of note in the music industry over the years – too numerous to mention here. Suffice to say that he is one of the most hard-working, consistent, and ubiquitous guitarists currently working in the UK – he knows his way up and down a fret-board just a bit too!

But his presence in Coolham this afternoon was with his own Blues outfit, THE MICKY MOODY BAND. He’d already played a gig at this venue the night before (along with support act, local band CATFISH – who wouldn’t be present for the Sunday show), which unfortunately I was unable to attend, but which apparently was a resounding success.

The band currently consists of some very experienced musicians indeed. As well as Mr. Moody himself on guitar; there is, ALI MAAS on vocals (who with her own band is making quite a name for herself on the local Blues scene); PETE REES on bass (From the late, great GARY MOORE’s band); and TOM COMPTON on drums (14 years with the recently deceased Blues leviathan, JOHNNY WINTER – see my blog entry #17).

I arrived at Coolham’s local pub ‘THE SELSEY ARMS’ (where the band were staying) with cousin Chas and my Missus in tow. Charlie is a bit of a photographer as well as a big music lover, and was more than happy to take photos as required. We had a meal booked for One O’Clock, with the band due on-stage at 4pm.  I’d arranged to meet Graeme there, and after a Sunday lunch of humongous proportions, we decamped to the village hall.

The Micky Moody Band in full flight (Photo: CGM)

The Micky Moody Band in full flight (Photo: CGM)

Coolham Village Hall is a lovely little place; which apparently can only accommodate less than 100 people. That makes for a very cozy, intimate venue – not the sort of place you would naturally expect to find someone of the calibre of Micky Moody to play. (I saw him with Whitesnake at the READING ROCK FESTIVAL, 1980, in front of 30,000 punters!). But the fact that he and his band agreed to do so, is a measure of the respect they hold for their fans – whether they be present in large, or small quantities!  By all accounts, the night before had been a rockin’ success; but the place was far from full on the Sunday. Still, everyone there was keen to see the show.

As the band had played at the same venue the night before, there was only a little setting up and tuning up to be done. (during which Micky played the ‘Dad’s Army’ theme – and why not?) We had a little chat with the singer, Ali Maas; and then the band went back-stage to get changed. Micky had 3 guitars sitting, waiting on the stage; and I resolved to have a chat with him about them, later if I could. The band emerged after a good introduction from Graeme Tame to great applause.

Micky, armed with a blue Hagstrom guitar, bottleneck, and thumb-pick; immediately started proceedings by launching the band into a good rendition of ‘Same Blues’; with Ali in fine voice. Changing his three guitars (Les Paul; Hagstrom; and Flying Finn) frequently, Micky’s first-half set continued with various well-rendered covers: MAVIS STAPLES’ ‘Mississippi’; and  MUDDY WATERS’ ‘Brand On You’; ‘Taste Of Bourbon’ (which Micky sung);  and ‘Soon Forgotten’.  ‘Retail Therapy’, a newly penned song, followed; and it incorporated a few bars of ‘Day Tripper’. A nice version of The Stones’  ‘Gimme Shelter’ finished off Part One. It included a vignette of ‘Honky Tonk Women’ (well, if you’re covering KEITH RICHARDS’ slide-work in Open-G, you may as well, I suppose!) before reverting to ‘Gimme Shelter’ to the end. Excellent!

Moody and me: Half-time chat (Photo: CGM)

Moody and me: Half-time chat (Photo: CGM)

At half-time, I collared Micky for a chat. I’ve never met him before, but I wasn’t surprised to find that he is a very approachable and down-to-earth kind of bloke, who has the time to talk to his fans. He told me about the three guitars that he’d brought with him for the Coolham gigs: a Gibson Les Paul Gold Top (standard tuning); a lovely blue Hagstrom (Open-D tuning); and a beautiful Flying Finn ‘Micky Moody Signature’ (in Open-G). And why those particular three from his large collection of instruments, I hear you ask? ‘They were nearest the door when I left home!’ he quipped. He had them plugged into an Orange amp, and out to a standard 2 x 12 Marshall speaker; with the required FX (including wah-wah). We also talked about the British Blues scene. We agreed that it is currently in fine fettle; with young guitarists like LAURENCE JONES and OLI BROWN currently making a name for themselves. He also invited me to THE RED LION in Isleworth to see him play with PAPA GEORGE – now that’s an offer you can’t refuse!

Part Two kicked off with EDDIE BURNS’  ‘When I Get Drunk’. This was followed by an original Moody piece – written, he said ‘…in my Victor Meldrew mode!’  Its title: ‘Get Off My Back’; and he took the lead vocal while Ali did backing. It was more to the Rock end of the Blues spectrum than anything else played at the gig; and featured a superb wah-wah solo.

Two ETTA JAMES’ songs were up next: ‘Cry Like A Rainy Day’, which Ali sang beautifully, demonstrating her remarkable vocal skills; and ‘Gotta Serve Somebody’ for which Micky used the Les Paul again with capo on the 3rd fret. This cleverly incorporated the old Whitesnake song ‘Lovehunter’ (co-written with ex-band-mates DAVID COVERDALE and BERNIE MARSDEN back in ’79); and featured another excellent wah-wah solo before returning to ‘Serve Somebody’.

Ali Maas: remarkable vocal skills (Photo: CGM)

Ali Maas: remarkable vocal skills (Photo: CGM)

MEMPHIS MINNIE’s ‘Girlish Days’ followed, during which Ali confidently sang (in part) unaccompanied. Great slide again from MM on the blue Hagstrom. Another old Whitesnake favourite followed: ‘Slow’n’Easy’ from the “Slide It In” album of ’84; again co-written with DC. Some audience participation was required for this one. Then It was time for another Muddy Waters song –  the oft-covered ‘Rollin’n’Tumblin’, which MM sang and show-cased his slide guitar skills. This was followed by  ‘BIG MAMA’ THORNTON’s ubiquitous ‘Hound Dog’ which finished Part Two to great applause.

Graeme Tame took to the stage again then; but the audience needed little encouragement to get the band back for encore.  They played the staple ‘I Just Wanna Make Love To You’. Ali gave it her all, like she really meant it; and when Micky’s Les Paul made love to the Orange-headed Marshall, a suitably dirty-sounding solo ensued! Our lust for good quality Blues satisfied, we applauded for the final time, as these superb musicians left the stage.

Ali soon returned to the auditorium. We had a nice little chat; and Charlie took some final photos. Graeme invited us to further gigs; so I hope we can get down to Coolham again soon. The drive back to Essex was a two-hour nightmare in the pitch-dark and pouring rain (I could have written a Blues song about it – I was in the mood after all!) It was a fantastic little gig though, and well worth the trip to Sussex. Thanks to the band, and Graeme Tame and his associates for providing us with a great afternoon. Cheers, all!


21. BLUE BISHOPS “In The Red” (Cyclone Music, 2010)

BLUE BISHOPS: "in The Red" (Photo: PTMQ)

BLUE BISHOPS: “in The Red” (Photo: PTMQ)

I first became aware of THE BLUE BISHOPS a few years ago now; but after reading MARTIN TURNER’s excellent autobiography ‘No Easy Road’ about 18 months ago (Turner being an occasional memer of the band), I was reminded of them again.   On the strength of that, I down-loaded a few tracks from the highly rated “Deep” album (Speegra, 2002), and these were very good indeed.

However, after having been approached by the Bishops’ guitarist and founder member, SIMON BURRETT recently, I decided that some words about the band were long over-due. They are not known too widely, which is a shame because they are actually a very good band. So hopefully I can help to spread the word about them a little, by reviewing their last album “In The Red” (Cyclone Music, 2010).

The band currently consist of: the afore-mentioned founder member Simon Burrett (guitar, slide, and vocals); GEOFF GRANGE (vocals, guitar, and harp); JIM RODFORD (bass); and JUSTIN HILDRETH (drums). These core members are supplemented by JOHN BUNDRICK (keys); STUART EPPS (percussion); and none other than veteran keyboard maestro ROD ARGENT.

First track on the album is ‘Walking In A Hurricane’ – the old JOHN FOGERTY song. Now, anyone that knows me, knows that I like a cover – but I don’t like slavish covers; I like fresh interpretations of originals.  I got that with this version; and its a good choice for an opener. What struck me most of all on this track though (and throughout the album), was Geoff Grange’s excellent vocal style, which reminded me of the late, great DAVID BYRON; and a little of IAN GILLAN. Good solos from both axe-men on this track too. A great start!

Next up is ‘Screw’. Penned by Grange (as most of the songs are), this song has a good synchronised riff between guitar and harmonica. As the song ended, I thought I heard my mobile ring – but no, it was the third song ‘Wake-up Call’ beginning with a ring tone! Good heavy chord sequence on this one; supplemented by melodic lead.

‘Place In Time’ has a bluesy intro which soon develops into a more progressve sequence with a simple but effective descending bass run. This gives way to a lighter chorus. I think this is one of the best tracks on the album. Next track, ‘Life On The Line’ is a good rocker with a chorus that reminds me of good quality pop-rock song from the early 70s (that’s not a criticism – I love it!)

That 70s vibe continues with ‘Credit Card’. With words by Grange, and music by Burrett;  it  has an amusing lyric and great slide and harp solos. This is followed by ‘Blues Stand In Line’ which sounds to me like it could almost be a Mk2 Deep Purple creation; and wouldn’t be out of place on “Machine Head”! Fantastic keyboard work from Argent.

‘The Sea Will Rise’ is an ecologically aware song – again a collaboration between Grange and Burrett. BERNIE MARSDEN and WALTER TROUT have handled such green issues before, so why not? Its a good song – again, a bit Purple-esque – and the first of two with a serious subject matter amongst this collection. Argent stands out again here.

Time for two more covers now: in the form of Arthur ‘Big Boy’ Crudup’s staple song ‘That’s Alright Mama’ (great slide and harp on this one again); followed by The Everly Brothers classic ‘Price Of Love’  (suitably rocked-up) and no doubt these are both popular live numbers.

The bluesy ‘The End Is Listless’ by Burrett, is the only instrumental on the album. (Clever play on words for the title, I must say!). You have to be careful with instrumentals – to keep them interesting, you have to know when to end them; and this is just about right length-wise. Nice axemanship and harp work here once again.

The second song with a more serious lyric is ‘The Black Diamond’. It laments the hard life of a traditional coal-mining community. Its a Prog-Rock piece and is really rather good, if sombre. Lovely lead guitar tone on this one.  The final offering is ‘These Things Take Time’. A foot tapping folky, acoustically driven number; again with fine-sounding guitar work throughout.

The cover (for those of us who still like to buy a CD!) is very good too. All the basic info that you need about the band and the songs – including lyrics – is included. The centre-fold, with its collage of band pics, reminds me of Purple’s “Machine Head” (1972); QUO’s “On The Level” (’75); and HEART’s “Dreamboat Annie (’76). Now I’m in danger of lamenting the demise of vinyl, and gate-fold sleeves! (Showing my age again!)

I’ve not seen The Blue Bishops live (and this is a situation I hope is rectified soon), but I should imagine that they’re a lively band to see on-stage; and I’d guess they have a lot of fun performing too. Producer JOHN LECKIE has set out deliberately to capture the live performance of the band on the album – in fact some tracks were actually recorded live in the studio; demonstrating the tightness; experience; and confidence of the band. It works; and I highly recommend this album. Let’s hope that the Blue Bishops start getting the more widespread recognition that they deserve.

The Blue Bishops website details band profiles; samples; and gigs etc  – link below:


Great album, lads!  PTMQ