Tag Archives: Bernie Marsden

119. ALI MAAS & MICKY MOODY “Black & Chrome” (Armadillo, 2016)

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(Pic: MM website)

Well, you don’t have to be a genius to make an educated guess that an album with the names Ali Maas and Micky Moody writ large on the sleeve is going to be a winner. If you have the slightest doubt about that, then all you need to do is place Black & Chrome in the CD player, and within seconds your doubts would be allayed. For some time now, I’ve rated Ms Maas as one of several exceptionally good female vocalists currently working in the UK; and Mr.Moody has been on the Quill’s geetar maestro shortlist for decades! Furthermore I’ve met them both and they’re thoroughly nice people. (See my gig review #23).

Black & Chrome is an eleven track collection of original works penned by Moody and Maas themselves. It covers a good and varied range of Blues and Blues-based styles; and it is a tangible display of both the performing, as well as the song-writing skills of this remarkable pairing. They’ve been working together for some time now, and their collaborations are a joy to hear (and see live). They both have their own individual projects of course but have come together (as they often do) for this work, and have created something very special indeed.

Right from the wonderful opening track ‘Horse Or A Harley’, the bar is set high; but the excellent second offering ‘Why Does A Man’ (‘…who says he loves me, make me cry’?) fully rises to the challenge….and so it continues. From the acoustic beauty of ‘Hanging On A Chain’; through the Elmore-esque ‘Same Blues, Different Day’; to the soulful ‘A Change In Everything’ with its fine solo. From the shuffle ‘Taking Me Home’; through the raw Blues of ‘Do Some Time’; to the Country vibe of ‘Farewell To All The Sad Songs’. And from the heart-felt love song ‘Here I Stay’; through the Funky Blues of ‘Hell Bent’ with its Albert King-like guitar; to the final fun number ‘Now I Got My Mojo Back’; the quality is high, and the range of style/genre is impressively broad.

Ali’s vocals are wonderful throughout (as we’ve come to expect) – full of passion and drive. She conveys the tenderness or pain of love; as necessary with a controlled and impressive ease. Her backing vocals / harmonies are great too.

And Micky’s guitar-work is (not surprisingly) superb as well – thoughtful, inventive solos, and interesting rhythm parts make his input a joy to hear. But what I particularly liked was his trade-mark slide-work of which I have been an admirer of since the 70s. MM also played bass, mando, B-bender; and console steel guitars on various tracks too; as well as singing lead vocal on ‘Taking Me Home’.

M & M are assisted in their endeavors by some fine musos: Jimmy Copley (drums); Ian Jennings (bass); Ollie Parfitt (keys); Jon Buckett (keys); Alan Glen (harp); Nick Newall (flute / sax); and Micky Moody Jnr (percussion). All very impressive artists indeed.

The CD comes in a card tri-fold case with the disc fitted centrally. It contains photos and basic info / credits etc; but no lyrics unfortunately, which is a shame because the words to some of these songs are interesting and inventive. If you like a bit of variety within yer Blues, I’d say its a must buy album (and must go and see live) – you won’t be disappointed! PTMQ

Micky Moody’s website

Ali Maas’ website

31. A REVIEW OF THE YEAR 2014

A couple of my friends have recently asked if I planned to do a review of 2014. I’d like to; but time as always is against me! So I just thought I’d say a few words about the year with respect to my blog. Its been quite a remarkable 11 months since I kicked off with a review of the STRAWBS gig at TOUCHLINE LIVE MUSIC here in Essex. At first, I thought no one would be interested, but I was glad to see that’s not the case. Right from the off, I had quite a few followers. That first Strawbs review has remained one of the most popular too.

I’ve met a lot of helpful and interesting people during the course of the year – not just musicians; but promoters; writers; photographers; or just knowledgeable music lovers.  Some of those musos I have been a fan of since my teens  – MICKY MOODY and MARTIN TURNER to name but two especially. Its also very flattering when some of these musicians have personally invited me to gigs and sent CDs for me to review as well.

Anyway, here are just a few thoughts and facts on my blog’s year….

MOST POPULAR BLOG was #25, MTWA at Touchline Live Music. Second was The Move at the Boom Boom Club (#15). In third place was MTWA again (blog #5); and fourth. The Micky Moody Band at Coolham (#23). I’m glad to say that these entries are still attracting new readers through search engines too.

BEST ROCK ALBUM must go to VIRGIL AND THE ACCELERATORS for their superb second studio album Army Of Three. It was very flattering to be put on the Guest List by Virgil, and to meet and interview the band before their gig at the Touchline. (Blog #26). Looking forward to seeing what VATA will be up to in the new year.

BEST ROCK GIG for me was a difficult choice. I saw fabulous performances from THE MOVE; VATA;  and the THE STRAWBS. But I’d say MTWA at The Touchline just wins by a whisker (Blog #25). Nice of Martin Turner to agree to an interview beforehand too. This coming year, so far, I plan to see FOCUS and the PINK FAIRIES.

BEST BLUES-ROCK ALBUM. Difficult! Could be LARRY MILLER’s Soldier Of The Line;  BERNIE MARSDEN’s Shine; or  LAURENCE JONES’ Temptation; but I’d choose DEBORAH BONHAM’s Spirit I think. I was hoping for an interview with her too, but she unfortunately had to cancel her gig at the Touchline due to a chest infection.

BEST BLUES ALBUM: I enjoyed JAMES ANTHONY’s Some People Get It, which he sent from Canada for me to review. (Blog #24); and MILTON ‘n’ FARROW’s Skiffleodeon – also given to me by the band to review (Blog #22). RUBY TIGER’s Vistas was excellent as was MATT ANDERSEN’s Coal Mining Blues; but I took a shine to DANA GILLESPIE’s Cat’s Meow the most.

BEST BLUES GIG is another tough choice. Great shows by COCO MONTOYA (Blog #14); MICKY MOODY BAND (Blog #23); and RUBY AND THE REVELATORS (Blog #16); but the best for me, was the very special show put on for the BOOM BOOM CLUB’s 1,000th gig; which included superb performances from OTIS GRAND; ALAN DARBY; LAURENCE JONES and THE VOODOO SHEIKHS among others (Blog #30). In 2015 I’d like to see RED BUTLER and LARRY MILLER if I can.

BEST FOLK GIG  I attended during the year was OXJAM MUSIC FESTIVAL in Exeter. A great selection of West Country folk acts in one afternoon. I was invited by my good friends in DEVONBIRD who played a wonderful little set – as did every artist present. (Blog entry #28).

BEST FOLK ALBUM in my opinion was ANGE HARDY’s The Lament Of The Black Sheep. I’m hoping to review soon (see Blog #32).  Also in 2014, I heard ADRIAN NATION’s second album Fall Or Fly, which is excellent. As for 2015, I’m looking forward to the second DEVONBIRD album which should be released in the spring – they are recording as I write. For info on Devonbird, see Blog #4.

DOWNSIDES. I had a couple of negative comments made to me during the course of the year – one due to a misreading of my blog; and one due to a certain curmudgeonly singer-songwriter who wrote unpleasant and untrue things about me – even after I gave him a good review!  I never intend to cause offence – in fact, I’ve been criticised for liking everything! Well, I do seem to! (I suppose if I didn’t like something, I wouldn’t write about it). Anyway, the vast majority of those I’ve written about; and my readers too, have been very complimentary and supportive indeed; so I didn’t loose any kip over it!

REGRETS: ‘…..I have few, but then again, too few to mention’! These surround missed gigs. I was particularly peeved at missing LARRY MILLER; and TERRY REID because I couldn’t get time off work; and DEBORAH BONHAM’s gig at the Touchline was cancelled (as I said above) due to the fact that the poor lady had a chest infection.  I hope she’s well now and will play there soon.

FUTURE PROJECTS include a review of Ange Hardy’s Black Sheep album; an article on my friend, the song-writer TONY PARTIS; and continuing to go and see as many and as varied gigs as possible. I also plan to get into the studio myself to try to record some of my own songs (for what they’re worth!). And I shall continue to support and promote my friends’ projects too.

A SAD FAREWELL to those musicians who sadly passed away in 2014:  JOHNNY WINTER (See my blog #17); JACK BRUCE; JOE COCKER; PHIL EVERLY; ACKER BILK; PETE SEEGER; BOBBY WOMACK; TOMMY RAMONE; ALVIN STARDUST; and LYNSEY DE PAUL. These luminaries will be sadly missed; but leave us a fine legacy in their work which their fans will cherish for all time. R.I.P. (My apologies if I’ve forgotten anyone).

THANKS to all those who have supported; encouraged; offered constructive criticism; advice; photos; and other pics; and generally taken the time to read my blog. Those people are too numerous to mention but they know who they are; so thank you one and all! Here’s looking forward to more of the same in 2015.

HAPPY NEW YEAR! PTMQ

23. THE MICKY MOODY BAND (featuring ALI MAAS) at COOLHAM VILLAGE HALL. Sunday, 12th October, 2014; and a few words about TAME PROMOTIONS and the Sussex Blues scene.

An empty stage at Coolham Village Hall; awaiting The Micky Moody Band (Photo CGM)

In recent months I’ve become aware that there is a good healthy Blues scene going down in Sussex. (For those of my readers who are not too familiar with the geography of England; Sussex is a picturesque county of beautiful hills and quaint old towns on the south coast of England; only an hour or so drive from South London; and well worth a visit).   Now I hadn’t visited Sussex for some years, so I was totally ignorant of this burgeoning phenomenon, until I was kindly invited by Blues singer RUBY TIGER to one of her excellent gigs (in Chichester) back in July (See my blog entry #16), and was pleasantly surprised at how popular the genre has become down there.

A lot of credit for promoting Blues in the area should be attributed to the non-profit making TAME PROMOTIONS of Coolham.  GRAEME TAME – ably assisted by friends SARAH REEVE and RICHARD DONNELLY – have quite recently started booking Blues acts in the local village hall; and are starting to attract some big names.  In just their first few months they’ve already hosted: BEN WATERS; JO HARMAN; PAPA GEORGE; SAM KELLY; LARRY MILLER; RON SAYER; THE ALI MAAS BAND; and the brilliant BUDDY WHITTINGTON. Waiting in the wings for an appearance soon are: EDDIE BLUE LESTER; AYNSLEY LISTER; WILL WILDE; KATIE BRADLEY; and the remarkable LAURENCE JONES, among others.

So, a couple of months ago when Sarah Reeve alerted me to the fact that the formidable veteran Blues-Rock man, MICKY MOODY was to play Coolham with his band, I of course, immediately contacted Graeme Tame to reserve some tickets. This is a big name for Tame Promotions to get on-board; and is a measure of their current standing within the music business.

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

Mr.Moody sporting Flying Finn with thumb-pick and bottle neck (Photo: CGM)

I’ve been a fan of Micky Moody for well over 35 years, now. He first came to my attention as a founding member of DAVID COVERDALE’s post-DEEP PURPLE band WHITESNAKE, back in ’78. Before that, he had, of course, been the JUICY LUCY axe-man.  Since leaving Whitesnake, he’s been a member of many a Rock and Blues band: THE YOUNG AND MOODY BAND; THE MOODY-MARSDEN BAND; 3M; THE SNAKES; COMPANY OF SNAKES; WILLY FINLAYSON AND THE HURTERS; to name but a few; and is currently part of the Rock group SNAKECHARMER who are currently flying high.  He has also worked with just about everyone of note in the music industry over the years – too numerous to mention here. Suffice to say that he is one of the most hard-working, consistent, and ubiquitous guitarists currently working in the UK – he knows his way up and down a fret-board just a bit too!

But his presence in Coolham this afternoon was with his own Blues outfit, THE MICKY MOODY BAND. He’d already played a gig at this venue the night before (along with support act, local band CATFISH – who wouldn’t be present for the Sunday show), which unfortunately I was unable to attend, but which apparently was a resounding success.

The band currently consists of some very experienced musicians indeed. As well as Mr. Moody himself on guitar; there is, ALI MAAS on vocals (who with her own band is making quite a name for herself on the local Blues scene); PETE REES on bass (From the late, great GARY MOORE’s band); and TOM COMPTON on drums (14 years with the recently deceased Blues leviathan, JOHNNY WINTER – see my blog entry #17).

I arrived at Coolham’s local pub ‘THE SELSEY ARMS’ (where the band were staying) with cousin Chas and my Missus in tow. Charlie is a bit of a photographer as well as a big music lover, and was more than happy to take photos as required. We had a meal booked for One O’Clock, with the band due on-stage at 4pm.  I’d arranged to meet Graeme there, and after a Sunday lunch of humongous proportions, we decamped to the village hall.

The Micky Moody Band in full flight (Photo: CGM)

The Micky Moody Band in full flight (Photo: CGM)

Coolham Village Hall is a lovely little place; which apparently can only accommodate less than 100 people. That makes for a very cozy, intimate venue – not the sort of place you would naturally expect to find someone of the calibre of Micky Moody to play. (I saw him with Whitesnake at the READING ROCK FESTIVAL, 1980, in front of 30,000 punters!). But the fact that he and his band agreed to do so, is a measure of the respect they hold for their fans – whether they be present in large, or small quantities!  By all accounts, the night before had been a rockin’ success; but the place was far from full on the Sunday. Still, everyone there was keen to see the show.

As the band had played at the same venue the night before, there was only a little setting up and tuning up to be done. (during which Micky played the ‘Dad’s Army’ theme – and why not?) We had a little chat with the singer, Ali Maas; and then the band went back-stage to get changed. Micky had 3 guitars sitting, waiting on the stage; and I resolved to have a chat with him about them, later if I could. The band emerged after a good introduction from Graeme Tame to great applause.

Micky, armed with a blue Hagstrom guitar, bottleneck, and thumb-pick; immediately started proceedings by launching the band into a good rendition of ‘Same Blues’; with Ali in fine voice. Changing his three guitars (Les Paul; Hagstrom; and Flying Finn) frequently, Micky’s first-half set continued with various well-rendered covers: MAVIS STAPLES’ ‘Mississippi’; and  MUDDY WATERS’ ‘Brand On You’; ‘Taste Of Bourbon’ (which Micky sung);  and ‘Soon Forgotten’.  ‘Retail Therapy’, a newly penned song, followed; and it incorporated a few bars of ‘Day Tripper’. A nice version of The Stones’  ‘Gimme Shelter’ finished off Part One. It included a vignette of ‘Honky Tonk Women’ (well, if you’re covering KEITH RICHARDS’ slide-work in Open-G, you may as well, I suppose!) before reverting to ‘Gimme Shelter’ to the end. Excellent!

Moody and me: Half-time chat (Photo: CGM)

Moody and me: Half-time chat (Photo: CGM)

At half-time, I collared Micky for a chat. I’ve never met him before, but I wasn’t surprised to find that he is a very approachable and down-to-earth kind of bloke, who has the time to talk to his fans. He told me about the three guitars that he’d brought with him for the Coolham gigs: a Gibson Les Paul Gold Top (standard tuning); a lovely blue Hagstrom (Open-D tuning); and a beautiful Flying Finn ‘Micky Moody Signature’ (in Open-G). And why those particular three from his large collection of instruments, I hear you ask? ‘They were nearest the door when I left home!’ he quipped. He had them plugged into an Orange amp, and out to a standard 2 x 12 Marshall speaker; with the required FX (including wah-wah). We also talked about the British Blues scene. We agreed that it is currently in fine fettle; with young guitarists like LAURENCE JONES and OLI BROWN currently making a name for themselves. He also invited me to THE RED LION in Isleworth to see him play with PAPA GEORGE – now that’s an offer you can’t refuse!

Part Two kicked off with EDDIE BURNS’  ‘When I Get Drunk’. This was followed by an original Moody piece – written, he said ‘…in my Victor Meldrew mode!’  Its title: ‘Get Off My Back’; and he took the lead vocal while Ali did backing. It was more to the Rock end of the Blues spectrum than anything else played at the gig; and featured a superb wah-wah solo.

Two ETTA JAMES’ songs were up next: ‘Cry Like A Rainy Day’, which Ali sang beautifully, demonstrating her remarkable vocal skills; and ‘Gotta Serve Somebody’ for which Micky used the Les Paul again with capo on the 3rd fret. This cleverly incorporated the old Whitesnake song ‘Lovehunter’ (co-written with ex-band-mates DAVID COVERDALE and BERNIE MARSDEN back in ’79); and featured another excellent wah-wah solo before returning to ‘Serve Somebody’.

Ali Maas: remarkable vocal skills (Photo: CGM)

Ali Maas: remarkable vocal skills (Photo: CGM)

MEMPHIS MINNIE’s ‘Girlish Days’ followed, during which Ali confidently sang (in part) unaccompanied. Great slide again from MM on the blue Hagstrom. Another old Whitesnake favourite followed: ‘Slow’n’Easy’ from the “Slide It In” album of ’84; again co-written with DC. Some audience participation was required for this one. Then It was time for another Muddy Waters song –  the oft-covered ‘Rollin’n’Tumblin’, which MM sang and show-cased his slide guitar skills. This was followed by  ‘BIG MAMA’ THORNTON’s ubiquitous ‘Hound Dog’ which finished Part Two to great applause.

Graeme Tame took to the stage again then; but the audience needed little encouragement to get the band back for encore.  They played the staple ‘I Just Wanna Make Love To You’. Ali gave it her all, like she really meant it; and when Micky’s Les Paul made love to the Orange-headed Marshall, a suitably dirty-sounding solo ensued! Our lust for good quality Blues satisfied, we applauded for the final time, as these superb musicians left the stage.

Ali soon returned to the auditorium. We had a nice little chat; and Charlie took some final photos. Graeme invited us to further gigs; so I hope we can get down to Coolham again soon. The drive back to Essex was a two-hour nightmare in the pitch-dark and pouring rain (I could have written a Blues song about it – I was in the mood after all!) It was a fantastic little gig though, and well worth the trip to Sussex. Thanks to the band, and Graeme Tame and his associates for providing us with a great afternoon. Cheers, all!

PTMQ