A few months ago I was privileged to be asked to sit in on the recording of three songs by the only female-fronted Blues band in Essex, the Tanya Piché Blues Band, at Basildon Recording Studio (see my article #111). The band cut three tracks that day towards their debut album; and I left with the conclusion that it would be a good’n. They have previously recorded a live EP Back at Ya! (see #111); and a couple of singles (see #80 & #116); but this is their first full album.
The clue is in the name with this unit: Tanya Piché Blues Band – they do exactly what their name suggests! But not only that; they play some of the most original and authentic-sounding Blues you are likely to hear from a band this side of the Pond. Formed in May 2015, they consist of the unique Howlin’ Wolf Woman herself, Tanya Piché (Vocals/harp); Nick ‘Smurf’ Sherreard (bass/harp/backing vocals); David Warne (guitar); and James Digings (drums). These are all well-seasoned musos. Tanya herself once spent some time hanging out with the late Robert Lucas of Canned Heat (see my article #65) – not a bad thing to have on her CV!
Blues purists they may be, but there is plenty of scope in their repertoire for originality too. Seeped in the classics of the genre, Tanya and her boys have certainly been doing their homework over a long period of time. When I listen to these recordings I hear the echoes of Waters, Hooker, Dixon, and of course Burnett – the original Howlin’ Wolf himself. In fact the album is dedicated to Burnett and Lucas – Tanya’s mentors. It is earthy, gritty, and authentic stuff – yet far more than a rehash; being fresh and interesting too.
Wolf Woman Blues is a ten track collection of mainly original numbers penned by the band themselves. The three songs I saw being recorded last year were ‘Big Joe’s Place’, ‘I Gotta Leave This Man’ and ‘I Said Please’. (For a description of these see my article #111). ‘Wolfhound Woman’ and ‘London And L.A.’ are a lot of fun; whilst the slow and moody numbers ‘Why’ and ‘I Said Please’ made me smile and nod in appreciation. But most of all I love ‘Clawing At Your Door’ and of course ‘Blues For Chester’. All in all, a good selection of some fine authentic Blues styles. There are a few sound effects included, like wolf howls and police sirens, and a soundbite of Burnett himself, which I think add to the enjoyment of the album.
Quality of musicianship is very high: characteristically unique, gritty vocals from Tanya; impressive guitar from David (especially some lovely slide work); with solid and reliable bass and drums from Nick and James.
At time of writing I do not have a CD copy, but I’m told it comes in a de-luxe tri-fold card case. Tanya is looking sexy, wolfish – and just a bit scary on the cover! I love the band’s logo and the claw marks too! There is plenty of info on the back cover (see image below).
This is a howlin’ good album, and I felt privileged to be present when some of it was recorded last year. It’s a big thumbs up from The Quill. Highly recommended if (like me) you love authentic-sounding Blues. The album launch gig will be at The Mill Beach PH in Maldon, Essex on 14th May. Check the TPBB website for more info. PTMQ