Preamble. When my friend, singer/song-writer Daria Kulesh told me she had some solo gigs booked here in Essex, I of course said that I’d try to get along to one or two. Her second album Long Lost Home will be officially released soon, so she is busy gigging her way around the Home Counties and further afield too. I have heard the new collection, and I have reviewed it recently (See my article #145).
The FaB Club is held in the White Hart PH, Grays, Essex – half an hour’s drive through the lanes from Quill HQ – although I must admit I’ve never visited the venue before. The acronym FaB stands for ‘Folk, Acoustic and Blues’ and it is held on most Sunday afternoons (Check their website for details). They host regular Open Floor sessions and occasionally book a special guest such as Daria. I arrived early and was welcomed by MoS Liz Montgomery; and soundman / guitarist Paul Ballantyne – who was busy setting up a fine new Bose sound system. I have met and seen him perform before, at Romford Folk Club (See my article #59). Garry Walker of RFC is also a regular at the FaB and he turned up as well. Daria and husband Julian arrived soon after myself. I haven’t seen them for a year (since she played Haverfolk with her band KARA. See my review #78), so it was lovely to see them both.
The gig (Part One). The afternoon was split into two parts – each began with some Open Floor spots, followed by a half-set from Daria. To get the ball rolling, Paul Ballantyne played a couple of songs, followed by a guitar-bass-banjo trio, Keith, Maureen and John, who played a couple of fine songs. I was up next, and borrowing Keith’s lovely Washburn acoustic, played a couple of my own songs: ‘Mid-Life Crisis Blues’ and ‘Nan’s Bread Pudd’n’. Thanks Keith!
Daria began her first set with a Cossack drinking song, to which we all joined in after she had taught us some Russian words! Good fun. Taking up her Shruti Box, she then played the haunting ‘Tamara’ from her new album Long Lost Home (See my previous review #145); followed by the Trad Irish song ‘Tell Me Ma’ on her bodhrán. Three more fine renditions of songs from the new album were then played on her guitar: ‘Safely Wed’; ‘The Moon And The Pilot’; and on the shruti, ‘Heart’s Delight’ – all with heart-felt preambles. And so ended the first, very eclectic, set to great applause.
The gig (Part Two). After a short break, a few more floor spots restarted the afternoon’s entertainment. As is usual in Folk/Acoustic clubs, a great variety of styles were represented; and very enjoyable they were too. Daria returned then for her second set; and began with a Trad Scottish song; then, bodhrán in hand, she followed this with ‘Begone!’, a favourite song from her live repertoire. It is a true story about a witch hunt – but sung from the point of view of the mob. It is menacing and primal in its intensity.
Apart from her solo work and being a member of Kara, Daria is also involved with The Company Of Players, a ten-piece group of young Folk musicians. ‘Lady MacBeth’ is a track on their album, and will also appear on the new Kara album too. It is played on the shruti. I hadn’t heard it before; and found it to be very haunting. She followed with the beautiful ‘Gone’ from the new album. Then she sang ‘Hairdresser’ from Eternal Child, and dedicated it to me – perhaps I need a haircut? Thanks Daria. Snip, snip!
The main set finished with a tri-lingual (English/Russian/French) cover of ‘Those Were The Days My Friend’ with which we all joined in of course. Encore was demanded, and duly given in the form of ‘Distant Love’ from Long Lost Home.
Fin. I very much enjoyed Daria’s performance – she improves every time I see her. She’ll be performing at Cecil Sharp House, Camden, on 23rd Feb for her official album launch – check her website for more info. Thanks to her, the FaB Club and all the regulars who performed to make it a very entertaining afternoon. PTMQ