107. KARA’s New album “Some Other Shore” (2016). A pre-release review

(Pic: KARA)

(Pic: KARA)

Its always something of a dilemma for artists deciding which direction to take for their second album (especially if like Folk band Kara, the first album had received so much favourable appraisal). Do you go for what you know and deliver more of the same? Or branch out into pastures new and risk disappointing your fan-base? In Kara’s case (by their own admission, ‘a quirky quartet’) perhaps this dilemma was not so pronounced, as their music is so diverse and unique (and ‘quirky’ of course) that ‘more of the same’ would simultaneously amount to ‘pastures new’ anyway!

Bearing that in mind then, there could be no possibility whatsoever of predicting what new music the band could have come up with for this, their second collection: Some Other Shore. I made a brief mention and recommendation of Kara’s first album Waters So Deep during a review of Daria Kulesh‘s solo album Eternal Child last year (see my review #35). That first album by the band was an impressive opus that held my attention to a remarkable degree, as I’d heard nothing quite like it before – and I feel that I must emphatically say that again for this new offering too!

Kara currently consist of Daria Kulesh (Vocals/guitar/bodhran); Kate Rouse (Hammered Dulcimer); Ben Honey (Guitar); and new boy Phil Underwood (of The Creole Brothers, on Melodeon). In addition, the highly rated Lukas Drinkwater was drafted in for Double Bass; with James Delarre (Fiddle); and Jason Emberton (‘Additional instrumentation’) used as necessary. Jason was also the album’s producer – on which he has done a great job.

New this album certainly is; but having said that, it is still unmistakably Kara – for it retains that celebrated, quirky, Russian-English Folk fusion that makes it unique. The unusual combination of Hammered Dulcimer and Melodeon give a distinctive depth and flavour to the band’s sound – yet neither unduly dominate the overall sound of the songs. Add to that the beautiful vocals of Daria and the skillful guitar work of Ben, and a winning combination is manifest.

It is a twelve-track work of both original songs skillfully penned by the various band members; and of reworked traditional English and Russian Folk songs. They are songs of romance and escapism, as well as sometimes covering thought-provoking contemporary themes. As I expected, a wide variety of style; subject; and emotion is represented – and executed superbly. It is a wonderfully crafted album that has been well-thought out – and works so well. I was privileged to hear a few of these new songs at a Kara gig last October (see my review #78). They were great songs to hear live; and have been thoughtfully recorded in the studio too. My personal favourite tracks from the album are: the dark and demonic opening number ‘Tamara’s Wedding’; and the beautifully haunting – and slightly disturbing – ‘Goodbye and Forgive Me’.

At this current point in time, I have only heard the album as a download, so I cannot comment too much on the CD sleeve – although I have seen it, and it does look very good; with artwork by Daria and Ben. It seems to include all lyrics and an explanation of each song; which is something I love to see among the sleeve notes.

I think whether you are a Kara fan; a Folk aficionado; or a generally open-minded music lover, you will be very impressed indeed by Some Other Shore, as I was; so its a big thumbs up from The Quill! The album will be available from 1st June on the band’s album launch tour. PTMQ

Visit Kara’s website for tour dates etc.

For a review of Kara‘s gig at Haverfolk in October 2015; see my review #78.

For a review of Daria Kulesh‘s solo gig at Lost Horizons Folk Club in April 2015; see my review # 45.

For a review of Daria Kulesh‘s debut solo album Eternal Child, see my review #35.

For a brief mention of Kate Rouse‘s work on Ange Hardy‘s album Esteesee see my review #72.

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